| : Competition Unmasked: Suzanne Dellal Centre International Exposure for DAnce 2022 | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | | 63-67 |
| Solo Salon, or How I fell in love with dance again and reclaimed my trust in audience | Maya Brinner | Hebrew | Mahol Akhshav-Dance Today | | 3-5 |
| יש חור בדלי: מופע או מחאה? | צפירה (אליסון) שטרן | Hebrew | Mahol Akhshav-Dance Today | | 3-9 |
| הריפוי בא מהרחם, הנשמה נמצאת בבטן: הריקוד המצרי ככלי ריפוי | שרון טוראל | Hebrew | Mahol Akhshav-Dance Today | | 14-16 |
| שיחה עם אשרה אלקיים | רות אשל | Hebrew | Mahol Akhshav-Dance Today | | 61-62 |
| כל הדרך לאופרה: דורינה לאור | שחר ברקוביץ | Hebrew | Mahol Akhshav-Dance Today | | 57-59 |
| איך לשאול שאלה? | שני ברוש תשובה | Hebrew | Mahol Akhshav-Dance Today | | 50-54 |
| פלדנקרייז ותהליכי יצירה במחול: מימוש עקרונות השיטה כבסיס לפיתוח יצירה | אפרת גלאי | Hebrew | Mahol Akhshav-Dance Today | | 46-50 |
| מרלו-פונטי והגוף החי: הגוף כאמצעי למחקר פילוסופי | חניתה מזרחי | Hebrew | Mahol Akhshav-Dance Today | | 42-46 |
| אוף-באלאנס: באיזה אופן משכלל תרגול האוף-באלאבנס את יכולותיה של הרקדנית? | דקלה רז'בסקי | Hebrew | Mahol Akhshav-Dance Today | | 33-37 |
| Log Out: מחשבה בעקבות יצירה | דרור ליברמן | Hebrew | Mahol Akhshav-Dance Today | | 26-29 |
| “כשהמילה תהפוך לגוף””: ביצוע גופני של טקסטים יהודיים דרך דיון באנסמבל “כעת” כמקרה מבחן | יהונתן הרשברג | Hebrew | Mahol Akhshav-Dance Today | | 10-14 |
| ההיסטוריה נכתבה על ידי המנוצחים | תמר לם, דיוויד קרן | Hebrew | Mahol Akhshav-Dance Today | | 29-33 |
| חיי המחול של ברוריה ברקוביץ | פנינית פיינגולד | Hebrew | Mahol Akhshav-Dance Today | | 59-61 |
| הגרוב כאיכות תנועה | רון כהן | Hebrew | Mahol Akhshav-Dance Today | | 33-37 |
| מחול אתיופי עכשווי | דגה פדר | Hebrew | Mahol Akhshav-Dance Today | | 54-57 |
| הנדנדה: מבט לאחור ורפלקציה על תהליך היצירה | שרון וזנה | Hebrew | Mahol Akhshav-Dance Today | | 22-26 |
| פגיעות וירטואוזית: שלוש שנים של פיתוח וניסוח פרויקט מתרגלים אמפתיה | יסמין גודר | Hebrew | Mahol Akhshav-Dance Today | | 17-22 |
| סולו סלון, או: איך התאהבתי מחדש במחול וחזרתי להאמין בקהל | מאיה ברינר | Hebrew | Mahol Akhshav-Dance Today | | 3-6 |
| Dance Today 43 | | | | | |
| סיפורי עם – הקורונה וגילוי השורשים הגיאורגים | סתיו סטרוז בוטרוס | Hebrew | Mahol Akhshav-Dance Today | 42 | 8-10 |
| שני העולמות של ג’ין ואמנון דמטי | בלה רובין | Hebrew | Mahol Akhshav-Dance Today | 42 | 54-58 |
| תפילת הגוף – סוד המחול היהודי במשנת רבי נחמן מברסלב – פרקים מתוך ספרה | אורית ברוך | Hebrew | Mahol Akhshav-Dance Today | 42 | 50-53 |
| דיאלוג עם הזמן – שני תמרי מתן משוחחת עם היוצרים ניב שינפלד ואורן לאור | שני תמרי מתן | Hebrew | Mahol Akhshav-Dance Today | 42 | 34-36 |
| הכרה באדמה Festival TransAmeriques – FTAFF | אלעד שכטר | Hebrew | Mahol Akhshav-Dance Today | 42 | 42-44 |
| צאינה וראינה – עקבות ומחשבות מתוך תהליך היצירה | סתיו מרין, מירב דגן | Hebrew | Mahol Akhshav-Dance Today | 42 | 11-13 |
| לחולל מרחבים משותפים – יום עיון לזכרה של הכוריאוגרפית אנה הלפרין | פנינית פיינגולד | Hebrew | Mahol Akhshav-Dance Today | 42 | 37-41 |
| עבודה תלוית מקום | רננה רז | Hebrew | Mahol Akhshav-Dance Today | 42 | 14-17 |
| אמנות המחול וצנזורה | יסמין משולמי | Hebrew | Mahol Akhshav-Dance Today | 42 | 23-27 |
| הצופה הו א הפרשנות שמחייה את היצירה – שיחה עם ד”ר רנה בדש עם צאת ספרה תיאטרונמחול – רשת של מרחבי הבעה | שחר ברקוביץ | Hebrew | Mahol Akhshav-Dance Today | 42 | 45-49 |
| גילי נבות והרהורים על ניהול אמנותי | גבי אלדור | Hebrew | Mahol Akhshav-Dance Today | 42 | 28-29 |
| אינטרנט, דיגיטל ומדיה חברתית במחול | יוסף ורנר טברצ'ניק | Hebrew | Mahol Akhshav-Dance Today | 42 | 18-22 |
| שחזור במחול – הכנס השנתי של התכנית לתואר שני במחול, האקדמיה למוזיקה למחול, ירושלים 2022 | שרון טוראל | Hebrew | Mahol Akhshav-Dance Today | 42 | 32-33 |
| מחול עכשיו 42 | | | | | |
| “If You Can Breathe, You Can Dance” | Bella Rubin | English | Mahol Akhshav-Dance Today | 41 | 54-69 |
| International Exposure 2021 – On-Line Edition | Neta Pulvermacher | English | Mahol Akhshav-Dance Today | 41 | 50-53 |
| The Speaking Body: An Approach in Contemporary Dance Pedagogy | Sharon Vazanna | Hebrew | Mahol Akhshav-Dance Today | 41 | 24-29 |
| Striking Roots, and Flying: A Conversation with Shaden Abu Elasal | Hodel Ophir | Hebrew | Mahol Akhshav-Dance Today | 41 | 30-34 |
| To Create and not just to Absorb”: A Conversation with Dr. Einav Katan-Schmid, for her new role as The Head of the School of Dance, Kibbutzim College of Education, Technology and Arts | Shahar Berkowitz | Hebrew | Mahol Akhshav-Dance Today | 41 | 38-39 |
| New Book: “Azure and Crimson”: The Unfolding of Israeli Folklore Costume Design | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 41 | 49 |
| What is Left and what Disappears – About the Creative Process of Inventory | Noa Dar | Hebrew | Mahol Akhshav-Dance Today | 41 | 10-12 |
| Creators Write: Summer Snow | Ella Rothschild | Hebrew | Mahol Akhshav-Dance Today | 41 | 3-9 |
| “I will dance every day if it my last” | Nira Paz, Hila Waldman | Hebrew | Mahol Akhshav-Dance Today | 41 | 40-48 |
| Mahol Akhshav – Dance Today 41 | | | | | |
| “The course was undoubtedly a significant step towards my career as a dancer: “a course for dance instructors as a catalyst for the professional development of students in high school dance programs | Talia Perlstein, Rachel Sagee | Hebrew | Mahol Akhshav-Dance Today | 41 | 17-23 |
| I will dance every day as if it is my last | Nira Paz, Hila Waldman | Hebrew | Mahol Akhshav-Dance Today | 41 | 40-48 |
| Three Thoughts: Identity, Creation and Teaching: A Conversation with Tamara Mielnik | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 41 | 35-37 |
| Giraffes – Every Possible Connection | Ofra Yehudai, Igor Menshikov and Tchelet Har-Yam | Hebrew | Mahol Akhshav-Dance Today | 41 | 13-16 |
| Missing Faces – Online Performance | Irix Erez | Hebrew | Mahol Akhshav-Dance Today | 40 | 3-6 |
| Amphi (1953/2020) | Gaby Aldor with an introduction by Michal Shoshani | English | Mahol Akhshav-Dance Today | 40 | 56-59 |
| She was Like a lighthouse to me: In Memory of Yardena Cohen | Yael Barkai | Hebrew | Mahol Akhshav-Dance Today | 40 | 36-40 |
| Steps in the Archive: In Memory of Amira Meroz | Guy Dolev | Hebrew | Mahol Akhshav-Dance Today | 40 | 41-46 |
| Editor’s Note | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 40 | 1 |
| Dance and Gender | Sigal Armoza | Hebrew | Mahol Akhshav-Dance Today | 40 | 30-35 |
| Professional Identity of Dance Teachers | Shay Haramati | Hebrew | Mahol Akhshav-Dance Today | 40 | 15-19 |
| The Choreography of Social Drama in the Black Lives Matter Protests | Tzaphira (Allison) Stern | Hebrew | Mahol Akhshav-Dance Today | 40 | 26-29 |
| Play. Pause – Covid-19 | Shahar Berkowitz | Hebrew | Mahol Akhshav-Dance Today | 40 | 51-52 |
| Missing Faces – Online Performance | Iris Erez | Hebrew | Mahol Akhshav-Dance Today | 40 | 3-6 |
| Independent Learning of Dance Movements from the Media among Children | Michal Hershkowitz Michaeli | Hebrew | Mahol Akhshav-Dance Today | 40 | 11-14 |
| Bat-Dor: A Story of a Dance Company – Review | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 40 | 53-55 |
| Choreopoetry: An Experience of Freedom and Infinity in the Encounter between Poetry and Dance | Efrat Nehama | Hebrew | Mahol Akhshav-Dance Today | 40 | 30-35 |
| 1st Things First | Michael Getman | Hebrew | Mahol Akhshav-Dance Today | 40 | 7-10 |
| Mahol Akhshav – Dance Today 40 | | | | | |
| The Voice of Dance Students During Covid-19 | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 40 | 47-50 |
| Martha Graham and the Cold War by Victoria Phillips | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 39 | 46 |
| Yonat Rothman, The Seed and the Shell: The Story of the Kibbutz Dance Company | Liora Bing-Heidecker | Hebrew | Mahol Akhshav-Dance Today | 39 | 45 |
| Nationalism and Dance: at the 2019 International Dance Exposure | Judith Brin Ingber | English | | | 57-63 |
| Nationalism and Dance: at the 2019 International Dance Exposure | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 37 | 57-63 |
| Suzanne Dellal Centre International Exposure for Dance 2020 | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 39 | 65-67 |
| Displaced/Displayed – Surviving Dance in Exile | Thomas Kampe | English | Mahol Akhshav-Dance Today | 39 | 57-64 |
| Interview with Suzanne Dellal Centre’s New Directors – Naomi Perlov and Anat Fischer Leventon | Roy Bedarshi | Hebrew | Mahol Akhshav-Dance Today | 39 | 29-32 |
| The Choreography of Corona in the Public Sphere | Tzaphira Stern | Hebrew | Mahol Akhshav-Dance Today | 39 | 21-23 |
| Dance the Doctorate and the Laws of Physics | Roni Zohar | English | Mahol Akhshav-Dance Today | 39 | 55-56 |
| They were Larger than Life: In Memory of the Choreographers Yonatan Karmon and Yoav Ashriel | Gdalit Neuman | Hebrew | Mahol Akhshav-Dance Today | 39 | 52-54 |
| In Memory of Moshe Efrati | Rina Schenfeld, Ester Nadler, Amnon Damti, Arye Yass, Rama Goren, Tami Luria-Katz | Hebrew | Mahol Akhshav-Dance Today | 39 | 47-51 |
| The Absent Present – A Reflective Journey to Examine the Craft of Rehearsal Directing | Noa Rachel Rosental | Hebrew | Mahol Akhshav-Dance Today | 39 | 40-44 |
| Mahol Akhshav- Dance Today 39 | | | | | |
| On Movement and Learning | Roni Zohar | Hebrew | Mahol Akhshav-Dance Today | 39 | 36-39 |
| Time management, financial management and marketing | Zachi Cohen | Hebrew | Mahol Akhshav-Dance Today | 39 | 33-35 |
| About Blindness – An Intervention in Public Space | Dana Hirsch Laiser | Hebrew | Mahol Akhshav-Dance Today | 39 | 27-28 |
| How I Went from dancer to Tour Guide in One Creation | Ori Lenkinski | Hebrew | Mahol Akhshav-Dance Today | 39 | 24-26 |
| We were Like Dreamers: The Situation of the Representative Folklore Dance Troupes | Doron Guetta | English | Mahol Akhshav-Dance Today | 39 | 16-20 |
| Bodies Holding Back | Michal Shahak | Hebrew | Mahol Akhshav-Dance Today | 39 | 15 |
| Corona Days- The Choreographers’ Association | Edited by Yael (Yali) Nativ. Texts by: Aharona Israel, Sally Ann-Friedland, Orly Portal, Oren Nahum, Ilanit Tadmor, Dege Feder, Dana Rotenberg, Daniela Shufra, Rachel Bangora, Maayan Libman Sharon, Neta Pulvermacher, Noa Dar, Sahar Azimi, Sharona Florsheim | Hebrew | Mahol Akhshav-Dance Today | 39 | 3-12 |
| Editor’s Note – Dance Today 35 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 35 | 1 |
| Editor’s Note – Dance Today 38 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 38 | 1 |
| Song of Songs: Performance, Direction and Text by Douglas Rosenberg | Douglas Rosenberg | English | Mahol Akhshav-Dance Today | 38 | 58-67 |
| Body, Dance, Site – An example of a Situation of a Research Practice | Neta Pulvermacher | Hebrew | Mahol Akhshav-Dance Today | 38 | 53-57 |
| The Protest Dance in Rabin Square – 29 April 2020 | Eleanor Druker Ben-Zaken, Sharon Sagi, Mira Rubinstein | Hebrew | Mahol Akhshav-Dance Today | 38 | 6-8 |
| An Interview with Miriam Kaufman: My Mythical Ballet Teacher | Smadar Weis | Hebrew | Mahol Akhshav-Dance Today | 38 | 29-43 |
| A Conversation with Elie Lazar About the Program HaMisgeret – A Dance Program to Develop and Advance Dance Studentst | Yael Eisenberg | Hebrew | Mahol Akhshav-Dance Today | 38 | 44-45 |
| A Four-Step: On the Transition to Distance Learning at the kibbutzim College Department of Dance, Spring 2020 | Shlomit Ofer | Hebrew | Mahol Akhshav-Dance Today | 38 | 9-11 |
| Behind the scene of Adam & id – Sharon Zuckerman Wieser in a duet with Moshe Schechter Avshalom | Sharon Zuckerman Wieser | Hebrew | Mahol Akhshav-Dance Today | 38 | 17-20 |
| Playing with Virtual Realities: A Practice-Based Research of Dancing with VR Technology | Einav Katan-Schmid | Hebrew | Mahol Akhshav-Dance Today | 38 | 25-31 |
| Thinking Outside the Box – Contemporary Ballet for Adults: Proposal to Updating Adult Training | Hadar Ben-Meir | Hebrew | Mahol Akhshav-Dance Today | 38 | 32-35 |
| Liat Dror and Nir Ben gal: Starting Over in Sderot Adama | Rachel Wilner | Hebrew | Mahol Akhshav-Dance Today | 38 | 45-49 |
| Celebrating the Unintelligible: A Conversation with Noa Zuk and Ohad Fishof on their Creation | Lior Avitzoor | Hebrew | Mahol Akhshav-Dance Today | 38 | 21-24 |
| In Their Memory – Vera Goldman, Eldar Elgrably, Amen Safiah, Yona Levi | Ruth Eshel, Tamir Gintz, Rina Shaham | Hebrew | Mahol Akhshav-Dance Today | 38 | 50-52 |
| Imagery and Movement in Noa Wertheim’s “Leela” – Vertigo Dance Company | Tzaphira Stern | Hebrew | Mahol Akhshav-Dance Today | 38 | 36-38 |
| Live from the Living Room | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 38 | 12-13 |
| Choreographers Association: No Return to Routine! About What’s is Important – A Series of Zoom Panels | Yael (Yali) Nativ | Hebrew | Mahol Akhshav-Dance Today | 38 | 3-5 |
| Haramot | Lior Tavori | Hebrew | Mahol Akhshav-Dance Today | 38 | 14-16 |
| Mahol Akhshav – Dance Today – 38 | | | | | |
| Mahol Akhshav – Dance today 37 | | | | | |
| Intimacy, Nostalgia, Ghosts, Youthful Soundtrack in the Creation – When Love Walked In | Oded Graff | Hebrew | Mahol Akhshav-Dance Today | 37 | 10-13 |
| Tonight We Dance Again | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 37 | 3-5 |
| In Memory of Ronit Land | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 33 | 65 |
| In Memory of Tirza Sapir | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 33 | 0 |
| הקולאז’ כאלמנט ביצירותיו של מרס קנינגהאם | שרון טוראל | Hebrew | Mahol Akhshav-Dance Today | 20 | 46-47 |
| Karmiel Dance Festival – Where to? | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 14 | 52-53 |
| פסטיבל המחול בכרמיאל – לאן? | דן רונן | Hebrew | Mahol Akhshav-Dance Today | 14 | 50-51 |
| השפעתם של מרס קנינגהאם והמחול הניסיוני האמריקני על המחול ה”אחר” בישראל | רות אשל | Hebrew | Mahol Akhshav-Dance Today | 20 | 27-35 |
| A Walk in the Archive | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 37 | 49-50 |
| Reflections Following Diver Festival 2019 | Anat Shamgar | Hebrew | Mahol Akhshav-Dance Today | 37 | 47-48 |
| Haramat Masach (Curtain Up) Festival 2019 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 37 | 45-46 |
| Look to the Sky and Hope the Sun will Rise Tomorrow – About Cloud Gate Dance Company | Anat Zecharia | Hebrew | Mahol Akhshav-Dance Today | 37 | 41-44 |
| The Unwritten Letter | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 37 | 38-40 |
| Dance Education/ Educational Dance – Observing Dance Teaching from an Educational Perspective | Ronit Ronen-Tamari | Hebrew | Mahol Akhshav-Dance Today | 37 | 31-34 |
| Individual Voices for Discourse – A Look at Two Decades in Dance Research in Israel | Smadar Weis | Hebrew | Mahol Akhshav-Dance Today | 37 | 24-30 |
| Disruptive Movement – Unison in Dance as Stimulating and Destablizing Motif | Shani Tamari Matan | Hebrew | Mahol Akhshav-Dance Today | 37 | 22-23 |
| Interview with Nadia Timofeeva on the Dance Memento | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 37 | 20-21 |
| Revealing Torah by Dance | Efrat Nehama | Hebrew | Mahol Akhshav-Dance Today | 37 | 18-19 |
| And Now the Body | Anat Danieli, Omer Uziel, Yael Venezia, Kim Teitelbaum, Yair Vardi | Hebrew | Mahol Akhshav-Dance Today | 37 | 10-13 |
| Via Doloroza 2012 | Galia Lever Fabian | Hebrew | Mahol Akhshav-Dance Today | 37 | 6-9 |
| “Intimacy, Nostalgia, Ghosts, Youthful Soundtracks in the Creation “When Love Walked In | Oded Graff | Hebrew | | | 10-13 |
| Tonight We Dance Again | Gaby Aldor | Hebrew | | | 3-5 |
| In Memory of Dan Ronen | Ruth Eshel | Hebrew | | | 1 |
| מחול וגלות – הגירת רקדנים בתקופה הנאצית מאוסטריה (באנגלית בלבד) | אנדראה אמורט | English | Mahol Akhshav-Dance Today | 37 | 51-56 |
| Anthropological Reflections on Contact-Imrpovisation | | | Mahol Akhshav-Dance Today | 37 | |
| Dublin Dance Festival: Dancing “Trio A” – About the Experience of Learning and Performing the Works of Yvonne Rainer 60 Years after the Premeier | Stav Bar-Nahum Frank | Hebrew | Mahol Akhshav-Dance Today | 35 | 36-38 |
| All the World’sa Stage: The Presence of Julia Kristeva’s Semiotic Dimension throught “Oyster’s” Theatrical World | Avital Palmer Ben-Gad | Hebrew | Mahol Akhshav-Dance Today | 35 | 51-60 |
| Hilde Holger: Legacy of an Expressionist, Emigrant, Innovator | Jacqueline Waltz | English | Mahol Akhshav-Dance Today | 36 | 39-43 |
| Ghosts of the Past: The Creation of Pola Nirenska’s Holocaust Tetralogy | Rima Faber | English | Mahol Akhshav-Dance Today | 36 | 34-38 |
| Dance as Therapy: A Jewish Perspective | Miriam Roskin Berger with Joanna Gewertz Harris, Marsha Perlmutter Kalina and Johanna Climenko | English | Mahol Akhshav-Dance Today | 36 | 79-82 |
| Theologies of Modern Dance | Alexander H. Schwan | English | Mahol Akhshav-Dance Today | 36 | 75-78 |
| Jewish Argentine Princess (The Sequel); A Possible Point of View about Jewish Choreographers and Dance Teachers in Argentina | Silvina Szperling | English | Mahol Akhshav-Dance Today | 36 | 69-74 |
| Jew in the Pool | Yehuda Hyman | English | Mahol Akhshav-Dance Today | 36 | 29-33 |
| Is all that Jazzy Modern Dance Jewish | Merilyn Jackson | English | Mahol Akhshav-Dance Today | 36 | 65-67 |
| Correcting a Published Error: “Kamila Rosenbaumová, the choreographer of Terezin’s Broučci and Brundibár died in Auschwitz” and other Quandaries | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 36 | 18-28 |
| An Exploration of the Life and Work of Helen Tamiris – 1902-1966 | Elizabeth McPherson and JoAnne Tucker | English | Mahol Akhshav-Dance Today | 36 | 49-53 |
| Dancers Under Duress: The Forgotten Resistance of Fireflies | Laure Guilbert | English | Mahol Akhshav-Dance Today | 36 | 11-17 |
| An Israeli Reflects on the Series of Articles on the Subject of Diaspora Jews and Jewishness in Dance | Ruth Eshel | English | Mahol Akhshav-Dance Today | 36 | 83-92 |
| The Case of David Allan’s 1987 Ballet “Masada”: Did it Matter that the Topic was Jewish | Jennifer Fisher | English | Mahol Akhshav-Dance Today | 36 | 54-58 |
| Daniel Nagrin: On ‘This and That’ and Choreographic Methods as Jewishness | Diane Wawrejko | English | Mahol Akhshav-Dance Today | 36 | 59-64 |
| Thoughts from Editor-in-Chief | Ruth Eshel | English | Mahol Akhshav-Dance Today | 36 | 3 |
| Guest Editor’s Notes – Dance Today 36 | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 36 | 5-6 |
| Then in What Sense Are You Jewish | Marion Kant | English | Mahol Akhshav-Dance Today | 36 | 7-10 |
| Ida Rubinstein (1883-1960) Faded into Oblivion, Why | Judith Chazin-Bennahum | English | Mahol Akhshav-Dance Today | 36 | 44-48 |
| Acknowledgements | Ruth Eshel, Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 36 | 1 |
| Preface | Naomi Jackson | English | Mahol Akhshav-Dance Today | 36 | 4 |
| Mahol Akhshav-Dance Today 36 | | | | | |
| הרמת מסך 2018 | גבי אלדור | Hebrew | Mahol Akhshav-Dance Today | 35 | 39-40 |
| Retrospective: Hospitality | Michal Smama | Hebrew | Mahol Akhshav-Dance Today | 35 | 44-47 |
| Local Dance | Elad Schecter | Hebrew | Mahol Akhshav-Dance Today | 35 | 18-19 |
| Conversation Between Choreographer Inbal Pinto and Curator Nirit Nelson | Nirit Nelson | Hebrew | Mahol Akhshav-Dance Today | 35 | 8-11 |
| Hebrew secularism and kibbutz holidays | Muki Tzur | Hebrew | Mahol Akhshav-Dance Today | 34 | 13-15 |
| Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance Research | Stav Bar-Nahum Frank | Hebrew | Mahol Akhshav-Dance Today | 34 | 3-4 |
| מחול- קהל- קהילה – כנס המחול השנתי של האגודה הישראלית למחקר המחול | סתיו בר-נחום פרנק | Hebrew | | | 3-4 |
| 24th International Exposure Festival of Israeli Dance at the Suzanne Dellal Centre for Dance, December 5-9 2018 | Judith Brin Ingber | English | Mahol Akhshav-Dance Today | 35 | 64-67 |
| In English Celebrating a Legacy: “Jews and Jewishness in the Dance World”- An International Conference at Arizona State University, October 2018/ | Alexandra Zaslav | English | Mahol Akhshav-Dance Today | 35 | 61-63 |
| Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance Research | Stav Bar-Nahum Frank | Hebrew | | | 3-4 |
| Hebrew secularism and kibbutz holidays | Muki Tsur | Hebrew | | | 13-15 |
| Dance-Audience-Community: Annual dance conference of the Israeli Association for Dance Research | Stav Bar-Nahum Frank | Hebrew | | | 3-4 |
| Somatic Times: Reflections on the Diver Festival, 2018 | Ruthie Abeliovich | Hebrew | Mahol Akhshav-Dance Today | 35 | 48-50 |
| Expanded Choreography: From Conceptual Decisions to Physical Manifestation – Impressions after viewing three Works at the 2018 Diver Festival | Ran Brown | Hebrew | Mahol Akhshav-Dance Today | 35 | 41-47 |
| The body The Use of Mental Imagery as a Tool to improve Performance and prevent Injuries in Dance | Amit Abraham | Hebrew | Mahol Akhshav-Dance Today | 35 | 31-33 |
| Hillel’s Adventures in Toulouse | Hillel Kogan | Hebrew | Mahol Akhshav-Dance Today | 35 | 34-35 |
| Tributes to my Teachers Gertrud Kraus, Rena Gluck and Anna Sokolow | Ze’eva Cohen | Hebrew | Mahol Akhshav-Dance Today | 35 | 28-30 |
| A-ne-no-me: The Creative Process | Sally Anne-Friedland | Hebrew | Mahol Akhshav-Dance Today | 35 | 25-27 |
| Cocoons: Homage to Louise Bourgeois | Galia Fredkin | Hebrew | Mahol Akhshav-Dance Today | 35 | 22-24 |
| Direction: Dimona – Choreographic Action with Members of the Hebrew Community | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 35 | 20-21 |
| Three Pulstations with Niv Sheinfeld and Oren Laor on “The Third Dance” – based on the original dance of Liat Dror and Nir Ben-Gal | Anat Zecharia | Hebrew | Mahol Akhshav-Dance Today | 35 | 12-17 |
| A Fugue with no Pause | Noa Shiloh | Hebrew | Mahol Akhshav-Dance Today | 35 | 5-7 |
| A dream comes true: Yair Vardi and architect Elisha Rubin on the addition to and renovation of the Suzanne Dellal Center for Dance and Theater, Neve Tzedek, Tel Aviv | Yair Vardi, Elisha Rubin | Hebrew | Mahol Akhshav-Dance Today | 35 | 3-4 |
| Mahol Akhshav- Dance Today 35 | | | | | |
| Festival Montpellier 2018 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 34 | 68-71 |
| Excellence in Dance Education – Selected events | Hila Covrigaro | Hebrew | Mahol Akhshav-Dance Today | 34 | 68-69 |
| Ruth Eshel’s dance reviews: Fugue by Inbal Pinto, Asylum by Rami Be’er, Nova Carmen by Sharon Eyal & Gai Behar | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 34 | 66-67 |
| An Israeli choreographer shatters the Berlin Wall – Talia Perlstein and Tamar Bar-Shalom interview Tamar Ben-Ami | Talia Perlstein, Tamar Bar-Shalom | Hebrew | Mahol Akhshav-Dance Today | 34 | 63-65 |
| Roy Bedarshi interviews Gadi Biton – about the present situation of Israeli folk dance | Roy Bedarshi | Hebrew | Mahol Akhshav-Dance Today | 34 | 59-62 |
| African Ballet in West Africa | Rachel Bangoura | Hebrew | Mahol Akhshav-Dance Today | 34 | 55-58 |
| Memories from Africa: Dance-Audience-Community | Esther Dagan | Hebrew | Mahol Akhshav-Dance Today | 34 | 49-54 |
| Manish Chuhan from Mumbai to Ga’aton | Chen Mesil | Hebrew | Mahol Akhshav-Dance Today | 34 | 45-48 |
| Joined – when East and West meet in on a creative process – Jew and Palestinian dancers share the same dance in Jerusalem | Tammy Izhaki | Hebrew | Mahol Akhshav-Dance Today | 34 | 41-44 |
| Peace in Motion | Alexandra Zaslav | Hebrew | Mahol Akhshav-Dance Today | 34 | 39-40 |
| Vertigo Dance Company – The power of balance – dance with handicapped | Uriah Kadari | Hebrew | Mahol Akhshav-Dance Today | 34 | 37-38 |
| A short introduction to the phenomenology of tremor | Guy Hugler | Hebrew | Mahol Akhshav-Dance Today | 34 | 34-36 |
| A community in movement – Thoughts following three years of contemporary dance activity for people living with Parkinson’s disease in the Yasmin Godder studio | Sigal Bergman, Shiri Sabach Teicher | Hebrew | Mahol Akhshav-Dance Today | 34 | 32-33 |
| Smadar Weiss talks with Dalia Chaimsky on “Ma’ase Gil” – third age dance project Ma’ase Gil | Smadar Weis | Hebrew | Mahol Akhshav-Dance Today | 34 | 30-31 |
| Conferences and dance meetings among children in elementary school as a connection to the community and society | Michal Hershkovitz Michaeli & Einat Duak | Hebrew | Mahol Akhshav-Dance Today | 34 | 32-33 |
| Dancer in the Community – Dance makes change | Ilanit Tadmor | Hebrew | Mahol Akhshav-Dance Today | 34 | 22-26 |
| Peepdance – The body as the last refuge for freedom – Dance performances inside peep cells in the public space | Talia Freed | Hebrew | Mahol Akhshav-Dance Today | 34 | 16-21 |
| Dance in the Kibbutz Movement: A social, educational and artistic expression | Naomi Bahat | Hebrew | Mahol Akhshav-Dance Today | 34 | 10-12 |
| Dancing Body – Society Dances Its Culture: Sociology and Anthropology of the Body | Yehonatan Hershberg | Hebrew | Mahol Akhshav-Dance Today | 34 | 5-6 |
| Mahol Akhshav-Dance Today 34 | | | | | |
| Community dance practice: An academic program for dance students | Naama Spitzer | Hebrew | Mahol Akhshav-Dance Today | 34 | 7-9 |
| Community dance practice: An academic program for dance students | Naama Spitzer | Hebrew | | | 7-9 |
| חלום של שנים הולך ומתממש: יאיר ורדי והאדריכל אלישע רובין על התוספת והשיפוץ במרכז סוזן דלל למחול ולתיאטרון, נווה צדק, תל אביב | יאיר ורדי ואלישע רובין | Hebrew | | | 80 |
| 24th International Exposure Festival of Israeli Dance at the Suzanne Dellal Center for Dance, December 5-9, 2018 | Judith Brin Ingber | English | | | 64-67 |
| Message from the Editor | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 33 | 1 |
| The “Maslool” – Professional Dance Program in CONTEXT2017, Russia | Roy Bedarshi | Hebrew | Mahol Akhshav-Dance Today | 33 | 54-55 |
| The Screaming Hole- Voice, Performance, Score | Julia Wirshing | Hebrew | Mahol Akhshav-Dance Today | 33 | 40-41 |
| Combat Dance: Attacks on the Institution of Spectatorship – Impressions from the Diver Festival | Omer Krieger | Hebrew | Mahol Akhshav-Dance Today | 33 | 50-53 |
| Diver Festival 2017: Diving into “Diver” – Body, Material and Reality | Keren Goldberg | Hebrew | Mahol Akhshav-Dance Today | 33 | 47-49 |
| Mahol Shalem- International Dance Week, Jerusalem, 2017 | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 33 | 45-46 |
| Curtain Up (Haramat Masach) in International Exposure 2017 | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 33 | 42-44 |
| My Voice was Always There but I Just Hummed | Adina Bar-On | Hebrew | Mahol Akhshav-Dance Today | 33 | 31-31 |
| Somatic Approach to Singing | Iris Goren | Hebrew | Mahol Akhshav-Dance Today | 33 | 26-29 |
| A Conversation with Ruth Eshel Following her Return to the Stage at the age of 75, Reconstructing her Solo “Clock of Stones” (1980) for Between Heaven and Earth Festival | Neta Pulvermacher | Hebrew | Mahol Akhshav-Dance Today | 33 | 22-25 |
| Ga’aton Dance Company | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 33 | 12-15 |
| Eviatar/Said: A Foretold Chronicle | Shira Eviatar | Hebrew | Mahol Akhshav-Dance Today | 33 | 3-6 |
| About “Chair Project” and “Legend” Exhibition at the Artists House, Tel Aviv, September 2017 | Raphael Lomas | Hebrew | Mahol Akhshav-Dance Today | 33 | 56-57 |
| About Voice and Action | Anat Pick | Hebrew | Mahol Akhshav-Dance Today | 33 | 32-33 |
| Ella Rothschild on her creatiion – 12 Postdated Checks | Ella Rothschild | Hebrew | Mahol Akhshav-Dance Today | 33 | 7-11 |
| Sapir method – Improving learning abilities through movement and Eshkol-Wachman Movement Notation | Tirza Sapir & Lilach Shalit | English | Mahol Akhshav-Dance Today | 33 | 58-63 |
| Six Israelis in New York – An Evening with the Second Graham Generation | Martic Kace | Hebrew | Israel Dance Annual | 1976 | 106-107 |
| Mahol Akhshav – Dance Today 33 | | | | | |
| Premieres 1976 | | Hebrew | Israel Dance Annual | 1977 | 116-118 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 5 | 62-66 |
| It’s All a Question of Identity | Joan Cass | Hebrew | Israel Dance Annual | 1981 | 121-122 |
| Bibliographic Sources in Research of Dance Among the Jews | Zvi Friedhaber | English | Israel Dance Annual | 1986 | 144-146 |
| Anna Sokolow and the Lyric Theater | Natan Mishori | English | Israel Dance Annual | 1980 | 142-138 |
| Alternative Reality, Exotic Reality and Divided Reality – “Gnawa” by Nacho Duato: Analysis | Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 32 | 6-7 |
| Batsheva de Rothschild – Using Big Money for Modern Dance | Giora Manor | English | Mahol Akhshav-Dance Today | 27 | 64-70 |
| Dance Images in the Zohar | Judith Brin Ingber | English | Israel Dance Annual | 1986 | 171-167 |
| גיליון 33 | | | | | |
| גיליון 33 | | | | | |
| מחול עכשיו 33 | | | | | |
| מחול עכשיו | | | | | |
| New Books: Sofia Naharin’s Invitation to Dance – About the Choreographic Process | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 3 | 76-77 |
| Body, Judaism, Now: Interfaces Between the Jewish World and the Contemporary Dance World | Janice Ross | English | Mahol Akhshav-Dance Today | 29 | 63-60 |
| Current Events in Israel 1994 | Giora Manor | English | Israel Dance Quarterly | 5 | 90-91 |
| Abstract | Ruth Eshel | Hebrew | Books | 2 | |
| דוקטורט – תיאטרון תנועה בישראל: נספחים – רשימת סרטי וידאו, ביבליוגרפיה, צילומים | רות אשל | Hebrew | Books | 2 | 299-335 |
| דוקטורט – תיאטרון-תנועה בישראל: השפעת תיאטרון המחול הגרמני על תיאטרון התנועה בישראל | רות אשל | Hebrew | Books | 2 | 138-226 |
| דוקטורט – תיאטרון-תנועה בישראל: השפעת מחול ההבעה על תיאטרון התנועה בישראל | רות אשל | Hebrew | Books | 2 | 228-244 |
| דוקטורט – תיאטרון-תנועה בישראל: לגיטימציה להעז | רות אשל | Hebrew | Books | 2 | 63-76 |
| דוקטורט – תיאטרון-תנועה בישראל: שיטת המחקר | רות אשל | Hebrew | Books | 2 | 21-62 |
| דוקטורט – תיאטרון-תנועה בישראל: מבוא | רות אשל | Hebrew | Books | 2 | 1-21 |
| דוקטורט – תיאטרון-תנועה בישראל: תוכן עניינים/ רות אשל | רות אשל | Hebrew | Books | 2 | 0 |
| Book: “Dancing with the Dream – The Development of Artistic Dance In Israel 1920-1964” – Abstract | Ruth Eshel | Hebrew | Books | 1 | 123-126 |
| הספר “לרקוד עם החלום”: מקורות, אינדקס שמות | רות אשל | Hebrew | Books | 1 | 115-122 |
| הספר “לרקוד עם החלום”: דעה אישית | רות אשל | Hebrew | Books | 1 | 113-114 |
| הספר “לרקוד עם החלום”: ראשית צמיחה חדשה – הדמויות הדומיננטיות, בימת מחול, התיאטרון הלירי | רות אשל | Hebrew | Books | 1 | 102-112 |
| הספר “לרקוד עם החלום”: צמיחות ייחודיות – תיאטרון מחול ענבל, שיטת משה פלדנקרייז, כתב התנועה אשכול-וכמן | רות אשל | Hebrew | Books | 1 | 94-101 |
| הספר “לרקוד עם החלום”: תרומת המחול האמנותי למחולות העם ולמסכתות החג | רות אשל | Hebrew | Books | 1 | 87-93 |
| הספר ,לרקוד עם החלום”: המחול האמנותי בקיבוצים -ראשוני המחול האמנותי בקיבוצים, דמויות נוספות, רפרטואר וטכניקה | רות אשל | Hebrew | Books | 1 | 80-86 |
| הספר “לרקוד עם החלום”: תלבושות ותפאורה | רות אשל | Hebrew | Books | 1 | 75-79 |
| הספר “לרקוד עם החלום”: מוסיקה ומחול | רות אשל | Hebrew | Books | 1 | 69-71 |
| הספר “לרקוד עם החלום”: סגנון ורפרטואר | רות אשל | Hebrew | Books | 1 | 69-72 |
| הספר “לרקוד עם החלום”: בלט קלאסי או מחול מודרני – מיה ארבטובה, ולנטינה ארכיפובה גרוסמן, הנריק נוימן, האופרה הישראלית ואמנים נוספים | רות אשל | Hebrew | Books | 1 | 49-61 |
| הספר “לרקוד עם החלום”: שקיעת מחול ההבעה – תיאטרון הבלט הישראלי | רות אשל | Hebrew | Books | 1 | 42-48 |
| הספר “לרקוד עם החלום”: הדור השלישי | רות אשל | Hebrew | Books | 1 | 37-41 |
| הספר “לרקוד עם החלום”: פליטות מאירופה – גרטרוד קראוס, רקדניות נוספות | רות אשל | Hebrew | Books | 1 | 28-32 |
| הספר “לרקוד עם החלום”: פרק “הדור השני” – שושנה ויהודית אורנשטיין , דבורה ברטונוב, ירדנה כהן, דניה לוין | רות אשל | Hebrew | Books | 1 | 20-27 |
| הספר “לרקוד עם החלום” – פרק “הראשונים” – ברוך אגדתי, מרגלית אורנשטיין, רינה ניקובה | רות אשל | Hebrew | Books | 1 | 11-19 |
| Billy Sunday’s Bible | Ruth Page | Hebrew | Israel Dance Annual | 1980 | 124-122 |
| Dance Encounters in Swiss | Alan Bernard | Hebrew | Israel Dance Quarterly | 7 | 58-59 |
| Women’s Bodies in Writing and Words in Motion: Gaps and Paradoxes in Writing the Body as a Text and in Dance Improvisations | Tamar Sar-Shalom | Hebrew | Mahol Akhshav-Dance Today | 26 | 63-78 |
| Premieres | | Hebrew | Mahol Akhshav-Dance Today | 4 | 80-83 |
| Batsheva – Rothschild’s Daughter | Giora Manor | English | Israel Dance Annual | 1987 | 191-189 |
| Bat-Dor Technical Standards | Dora Sowden | English | Israel Dance Annual | 1987 | 188-186 |
| Premieres in 1986/7 | | English | Israel Dance Annual | 1987 | 165-161 |
| Yemenite Jewish Culture and Dance: Popular Myths and Indigenous Activities in the Israel Context | Shalom Staub | English | Israel Dance Annual | 1986 | 166-159 |
| צילומים | | Hebrew | | | 72-125 |
| פרסום | | Hebrew | Israel Dance Annual | 1984 | |
| צילומים | | Hebrew | | | |
| Improvisations – Examined and Practiced at the American Dance Guild Convention | Judith Brin Ingber | English | Israel Dance Annual | 1981 | 111-110 |
| Thoughts on Terpsichore’s Lively Feet | David Eden | Hebrew | Israel Dance Annual | 1981 | 115-112 |
| פרסומים | | Hebrew | | | 37-74 |
| The Traditional Scriptual Reading Hand Movements as a Source of Dance of Yemenite Jews | Naomi & Avner Bahat | Hebrew | Israel Dance Annual | 1980 | 131-129 |
| The Prodigal Son | Selma Jeanne Cohen | Hebrew | Israel Dance Annual | 1980 | 128-125 |
| The Source of the Movement Language of Inbal | Sara Levi-Tanai | Hebrew | Israel Dance Annual | 1980 | 143-139 |
| No Shortage of Young Israeli Choreographers – Haramat Masach – Curtain Up | Giora Manor | English | Israel Dance Quarterly | 3 | 34-35 |
| From the dance critic’s desk: Giora Manor | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 93-95 |
| From the Dance Critic’s Desk: Giora Manor | Giora Manor | English | Israel Dance Quarterly | 13 | 75-78 |
| From a dance critic’s desk | Giora Manor | English | Israel Dance Quarterly | 6 | 102-103 |
| From a dance critic’s desk: Giora Manor | Giora Manor | English | Israel Dance Quarterly | 7 | 65-66 |
| From the Critic’s Desk: Giora Manor | Giora Manor | English | Israel Dance Quarterly | 8 | 77-79 |
| Premieres: January – March 2001 | | Hebrew | Mahol Akhshav-Dance Today | 5 | 84-90 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 6 | 62-67 |
| Dorit Shimron’s Tnuatron – To Conquer the Stage to Conquer the World | Maya Bahir | Hebrew | Mahol Akhshav-Dance Today | 7 | 42-45 |
| Lyon Biennale | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 10 | 46-48 |
| New Book: “Festive Dances: Collecion of Dances within the Yearly Cycle” by Tirza Sapir and Shlomit Ofer | Shiri Lilos | Hebrew | | | 62-64 |
| Batsheva de Rothschild – Using Big Money for Modern Dance | Giora Manor | English | Mahol Akhshav-Dance Today | 26 | 63-71 |
| “דואטים לגוף ולכלי נגינה” מאת דניאל דנוייה (Daniele Desnoyer), להקת לה קארה דה לומב (Le carré des lombes), קונצפט ועיצוב סאונד: נאנסי טובין (Tobin), רקדניות: Bronte Poire-Prest, Paige Culley, Ann Theriault, במסגרת קנדאנס, מרכז סוזן דלל, 17.1.2019/ מאת רות אשל | | | | | |
| Renana Raz’s “Kazuerot – A Feminine Weave of Ethnic Dance in Concert Dance | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 15 | 9-12 |
| Photos | | Hebrew | Israel Dance Annual | 1985 | 73-120 |
| “קראמפ” (Krump)/ תאטרון מחול אבשלום פולק/ ביקורת מחול רות אשל | | | | | |
| Critic’s Review: Giora Manor | Giora Manor | English | Israel Dance Quarterly | 11 | 77-78 |
| זרים בעולם המוזיקה – על רקדנים חרשים והתייחסותם לצליל ולמקצב | עופר רום | Hebrew | | | 38-41 |
| The Form of the Spirit – An Israeli Dancer Participates in the Creation of a New Work by Oshio Amagatzu | Arye Burstyn | Hebrew | Israel Dance Annual | 1989 | 34-37 |
| Photos | | Hebrew | Israel Dance Annual | 1983 | 55-88 |
| Advertisments | | Hebrew | Israel Dance Annual | 1981 | 70-106 |
| Premieres | | Hebrew | Mahol Akhshav-Dance Today | 1 | 68-71 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 3 | 68-71 |
| “ALBA”, להקת קומפאס בניהולה האמנותי של מיכל נתן/ ביקורת מחול מאת רות אשל | | | | | |
| מפנקסו של מבקר: סמטת הכסאות הלבנים, הרמת מסך, נועה דר, סאבוטאז’ בייבי, אותיות פורחות | גיורא מנור | Hebrew | Israel Dance Quarterly | 13 | |
| News | | Hebrew | Israel Dance Quarterly | 8 | 30-31 |
| News | | Hebrew | Israel Dance Quarterly | 3 | 20-25 |
| The Kibbutz Yair Shapira’s Conference | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 8 | 48-49 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 10 | 36-37 |
| Advertisments | | Hebrew | Israel Dance Annual | 1984 | 96-148 |
| הפליה | מיכה נס | Hebrew | | | 31 |
| Premieres in 1983 | | English | Israel Dance Annual | 1984 | 152-149 |
| בלט יורי גריגורוביץ’, “ספרטקוס”, האופרה הישראלית תל-אביב-יפו, 12.12.2018 | | | | | |
| Festival Montpellier 2016/17 | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 32 | 51-52 |
| Hila Ben Ari: Between Broken Lines – A Tribute to Heda Oren | Tal Yahas | Hebrew | Mahol Akhshav-Dance Today | 32 | 49-50 |
| Interview with Naomi Perlov about Benesh Dance Notation | Roy Bedarshi | Hebrew | Mahol Akhshav-Dance Today | 32 | 45- 48 |
| Dance Notations and Documentation: 1450 – 1750 | Amira Meroz | Hebrew | Mahol Akhshav-Dance Today | 32 | 41-44 |
| The Tango that Embraces Israel | Silvia Rajschmir | Hebrew | Mahol Akhshav-Dance Today | 32 | 38-40 |
| Dance Minus History | Ester Nadler | Hebrew | Mahol Akhshav-Dance Today | 32 | 36-37 |
| The Story of the Israeli Chapter of Dance and the Child lnternational – DACI | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 32 | 32-35 |
| Motor Skill, Creativity and Cognition in Learning Physics Concepts | Roni Zohar & Ester Bagno & Bat-Sheva Eylon & Dor Abrahamson | Hebrew | Mahol Akhshav-Dance Today | 32 | 24- 31 |
| I went down into the Garden of Nut to look…Reflections from a Psycho-Body Moving Journey | Shai Gil | Hebrew | Mahol Akhshav-Dance Today | 32 | 19-23 |
| Bringing Moshe Feldenkrais to Center Stage | Eldad Mannheim | Hebrew | Mahol Akhshav-Dance Today | 32 | 18 |
| An Interview with Sofia Naharin: Between Feldenkrais and Ohad Naharin’s Gaga People | Irit Livnet and Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 32 | 17 |
| In Searching of the Miraculous- Valentina Archipova Grossmann’s Ballet Classes and Moshe Feldnekrais’s ATM Lessons | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 32 | 14-16 |
| A Note on Moshe Feldenkrais and Eshkol-Wachman Dance Notation | John Harries | English | Mahol Akhshav-Dance Today | 32 | 54-56 |
| Rami Be’er’s “Mother’s Milk” – A Love Elegy to My Parents | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 32 | 3-5 |
| Words in Memory of Ania Tal Brud | Ania Brud Tal | Hebrew | Mahol Akhshav-Dance Today | 32 | 1 |
| What Happened in 32 Vandernbranden street? Peeping Tom Company | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 31 | 54-55 |
| “Yasmeen Godder’s “Ha’fra/Storung Project” Leading up to “Common Emotions | Shuli Enosh | Hebrew | Mahol Akhshav-Dance Today | 31 | 52-53 |
| Common Emotions” – Research and Creation Process” | Yasmeen Godder | Hebrew | Mahol Akhshav-Dance Today | 31 | 47-51 |
| Mor Shani’s “Simple Dance” in Inbal Dance Theater | Mor Shani | Hebrew | Mahol Akhshav-Dance Today | 31 | 42-46 |
| Kiryat Gat City of Dance: Memories and Insights of Making Dance, Crisscross | Regba Gilboa | Hebrew | Mahol Akhshav-Dance Today | 31 | 39-41 |
| An Interview with Yossi Yungman | Liat Katzur | Hebrew | Mahol Akhshav-Dance Today | 31 | 36-38 |
| The Dancer as Sculptor in Three-Dimensional Space: Eshkol-Wachman Dance Notation as a Creative Tool | Ein-Ya Cohen | Hebrew | Mahol Akhshav-Dance Today | 31 | 32-25 |
| Dance as Social Seismorgraph | Gloria Matos | Hebrew | Mahol Akhshav-Dance Today | 31 | 26-31 |
| Between Heaven to Earth Dance Festival | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 31 | 24-25 |
| From my Personal Story to Nehara Dance Group | Daniella Bloch | Hebrew | Mahol Akhshav-Dance Today | 31 | 18-23 |
| Shira’s New Home” – A Dramaturgical Dialogue between Theater and Dance, Secular and Religious Creation” | Irit Hurvitz Luz | Hebrew | Mahol Akhshav-Dance Today | 31 | 12-17 |
| Neither Soft Nor Light – From Religious to Secular | Dror Liberman | Hebrew | Mahol Akhshav-Dance Today | 31 | 9-11 |
| The Change in My Life – From Secular to Religious | Oren Tishler | Hebrew | Mahol Akhshav-Dance Today | 31 | 6-8 |
| The Religious and Secular Israel Theater and Dance – Symposium of the Akko Festival 2016- International Alternative Theatre | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 31 | 3-5 |
| Editor’s Notes | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 31 | 1 |
| On Body, Space and Writing Movement | John Harries & Tirza Sapir | Hebrew | Mahol Akhshav-Dance Today | 30 | 58-59 |
| To dance postition – to dance manifest: Words on the launch of the book “HaHitAlut” by Akim Volinsky translated by Ada Dobrovzky and Liora Bing-Heidecker | Ester Nadler | Hebrew | Mahol Akhshav-Dance Today | 30 | 52-54 |
| On “Yeladim BeTnuah” – “Children in Motion” by Drora Alon | Rina Sharret | Hebrew | Mahol Akhshav-Dance Today | 30 | 50-51 |
| SunBengSitting – Simon Meyer, Guest at 2016 March Hare Festival | Liat Katzur | Hebrew | Mahol Akhshav-Dance Today | 30 | 48-49 |
| “No Dimensions – An Analysis of Sasha Waltz’s “Korper | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 30 | 45-47 |
| Sometimes I Love My Body and Sometimes I Hate it – and Ballet Too | Pnina Capon Sohezki | Hebrew | Mahol Akhshav-Dance Today | 30 | 41-44 |
| The Transition from the 1970s to the Start of Post-modernism in Dance and Performance Art | Yigal Ben Nun | Hebrew | Mahol Akhshav-Dance Today | 30 | 37-40 |
| The New Research Program at the P.A.R.T.S, School of Contemporary Dance: The Research Studio | Talia De Vries | Hebrew | Mahol Akhshav-Dance Today | 30 | 34-36 |
| Interview with Dina Hinkis – One of the Senior Ballet Teachers in Israel – Beer Sheva 6.4.2016 | Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 30 | 30-33 |
| Story telling hands and dancing bodies- Elisheva Gil – a kibbutz dance artist | Itzi Bertana | Hebrew | Mahol Akhshav-Dance Today | 30 | 26-29 |
| The beginning of teaching dance at the Arab-Jewish Center in Jaffa at the end of the 1990s | Hadar Frank | Hebrew | Mahol Akhshav-Dance Today | 30 | 24-25 |
| Acrobatics as a Platform for Success in Ballet | Moran Barak & Keren Brener | Hebrew | Mahol Akhshav-Dance Today | 30 | 21-23 |
| Dancing for Everyone in Elementary School | Michal Hershkovitz Michaeli | Hebrew | Mahol Akhshav-Dance Today | 30 | 18-20 |
| Movement-Theater, Movement for Theatre | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 30 | 16-17 |
| Choreography for Theater – The Aesthetics of Dance Theater as a means for Shaping the Language of the Theatrical Stage | Miri Lazar | Hebrew | Mahol Akhshav-Dance Today | 30 | 10-15 |
| “Yossi Berg and Oded Graf Discuss their Latest Work: “Come Jump With Me | Yossi Berg & Oded Graf | Hebrew | Mahol Akhshav-Dance Today | 30 | 3-6 |
| Editor’s Notes | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 30 | 1 |
| Festival Montpellier 2015 | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 29 | 58-59 |
| Dance in August – Berlin Dance Festival Contineus to Break Boundaries | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 29 | 56-57 |
| Youth American Grand Prix – Europe 2016 | Moran Barak | Hebrew | Mahol Akhshav-Dance Today | 29 | 53-55 |
| She does not Shed her Skin: On the Book: Sara Levi Tanai – a Life of Creativity | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 29 | 50-52 |
| Behind the Scenes of “Mr.Gaga” – Some Thoughts and a Short Interview with the Film’s Photographer | Eldad Mannheim | Hebrew | Mahol Akhshav-Dance Today | 29 | 47-49 |
| Cherkessian Dance | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 29 | 44-46 |
| הסאונד המחולל של פינה באוש: האסתטיקה האודיטורית בתיאטרון-המחול כפונקציה פרפורמטיבית | מירי לזר | Hebrew | | | 39-43 |
| “The Medium of Dance as Return to “Paradis Lost | Adi Hanan | Hebrew | Mahol Akhshav-Dance Today | 29 | 23-28 |
| Screen and stage in play programs, motivating creativity in children | Michal Hershkovitz Michaeli | Hebrew | Mahol Akhshav-Dance Today | 29 | 28-33 |
| Incidental Body | Daniel Landau | Hebrew | Mahol Akhshav-Dance Today | 29 | 26-27 |
| Incidental Body | Daniel Landau | Hebrew | | | 26-27 |
| Aesthetic Aspects of Contact Improvisation | Kobi Haina | Hebrew | Mahol Akhshav-Dance Today | 29 | 20-25 |
| Perceiving through the Flesh” – On Body, Movement & Presence and Some Matters of Hassidim and Humanity” | Shai Gil | Hebrew | Mahol Akhshav-Dance Today | 29 | 17-19 |
| Dance Training Programs – Where to | Ania Brud Tal | Hebrew | Mahol Akhshav-Dance Today | 29 | 12-16 |
| ?!Boys do not Dance | Ronen Izhaki | Hebrew | Mahol Akhshav-Dance Today | 29 | 10-11 |
| Cowboy” – Retrospective of the Creative Process” | Niv Sheinfeld & Oren Laor | Hebrew | Mahol Akhshav-Dance Today | 29 | 5-9 |
| The Diver Festival | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 29 | 2-4 |
| Leonide Yakobson and Ballet – Janice Ross, “Like a Bomb Going Off” as Resistance in Soviet Russia | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 28 | 66-67 |
| Loie Fuller: Life and Image | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 28 | 62-66 |
| Genius and Insanity | Talia Assif Storlasky | Hebrew | Mahol Akhshav-Dance Today | 28 | 59-61 |
| Choreography as Analytical Tool | Ania Brud Tal | Hebrew | Mahol Akhshav-Dance Today | 28 | 49-58 |
| Raised out of the Pit – Relation between dance and music | Maya Gavish | Hebrew | Mahol Akhshav-Dance Today | 28 | 44-48 |
| Representation of Dance in Israeli Stamps | Avivit Agam Dali | Hebrew | Mahol Akhshav-Dance Today | 28 | 38-43 |
| Connect Effort into Pleasure – Overcoming the Perception Gape between Body and Mind | Einav Katan | Hebrew | Mahol Akhshav-Dance Today | 28 | 35-37 |
| The Body of Archive: Questions of Identity in “Lie Like a Lion” by Yasmeen Godder | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 28 | 30-34 |
| “To Know and to Ask about “Knowing”: A Diary of a Working Process in “kelim | Anat Danieli | Hebrew | Mahol Akhshav-Dance Today | 28 | 27-29 |
| From Text Towards Movement | Shiri Lilos | Hebrew | Mahol Akhshav-Dance Today | 28 | 24-26 |
| Integrating Dance and Movement in Teaching Physics | Roni Zohar | Hebrew | Mahol Akhshav-Dance Today | 28 | 17-23 |
| Entropy” – The Creative Process” | Noa Shador | Hebrew | Mahol Akhshav-Dance Today | 28 | 13-16 |
| Dust – The Creative Process | Ronen Izhaki | Hebrew | Mahol Akhshav-Dance Today | 28 | 10-12 |
| Rina Shaham – A Decade to her Passing | Ofra Sarusi | Hebrew | Mahol Akhshav-Dance Today | 28 | 8-9 |
| A New Dance Company in Nes Ziona: An Interview with Artistic Director Eli Laza | Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 28 | 5-7 |
| Mia Arbatova Ballet Competition | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 28 | 3-4 |
| Editor’s Note | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 28 | 1 |
| Parades and Changes: Anna Halperin in the Vertigo Eco-Arts Village | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 27 | 20-22 |
| Premeires: June – December 2014 | Hilit Lahman | Hebrew | Mahol Akhshav-Dance Today | 27 | 58-62 |
| History of Egyptian Dance | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 27 | 56-57 |
| Folk Dancing Moving from the Exotic to Nationalism: 20th Century Contexts of Russian Ballet | Ori Gershon | Hebrew | Mahol Akhshav-Dance Today | 27 | 51-55 |
| Dancing Study – A Study of Dance: A Review of Papers about Dance | Sari Elron | Hebrew | Mahol Akhshav-Dance Today | 27 | 48-50 |
| Dance as ecriture corporelle | Alexander H. Schwan | Hebrew | Mahol Akhshav-Dance Today | 27 | 44-47 |
| יישות, להקת ויין מקרגור (אנגליה), מוזיקה: ג’וני טלבוט וג’ון הופקינס, בית האופרה, המשכן לאמנויות הבמה, תל אביב 29.11.2018 – ENTITY | | | | | |
| Naked Composition: “Tragedy” by Olivier Diuois | Rina Badash | Hebrew | Mahol Akhshav-Dance Today | 27 | 39-41 |
| Continuum Movement – An Interview with Emilie Conrad | Batyah Schachter | Hebrew | Mahol Akhshav-Dance Today | 27 | 34-38 |
| Teaching Ballet: An interview with Rosaline Kassel | Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 27 | 30-33 |
| Historical Ancedotes: What is Concealed Behind the Picture | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 27 | 29 |
| No/Stop Dance – A Conversation with Photographer Gadi Dagon | Ido Feder | Hebrew | Mahol Akhshav-Dance Today | 27 | 23-28 |
| Teledoll”- The Creative Processe” | Ania Brud-Tal | Hebrew | Mahol Akhshav-Dance Today | 27 | 12-17 |
| A Gun to Mouth – “Climax” by Yasmeen Godder and Itzik Giuli | Drorit Ben Gur | Hebrew | Mahol Akhshav-Dance Today | 27 | 18-19 |
| “Michal Hirsch and Tomer Ziterlich’s “Auf Wiedersehn | Michal Hirsh | Hebrew | Mahol Akhshav-Dance Today | 27 | 7-11 |
| Curtain Up 2014 | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 27 | 3-6 |
| Editor’s Notes | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 27 | 1 |
| Batsheva Dance Company Archive Project | Iris Lana | English | Mahol Akhshav-Dance Today | 26 | 61-52 |
| Premieres: January – June 2014 | אדוה קידר | Hebrew | Mahol Akhshav-Dance Today | 26 | 49-51 |
| Pages from the Book: The Space | Liat Dror | Hebrew | Mahol Akhshav-Dance Today | 26 | 47-48 |
| Bring Forth My Fortune” by Rina Sharett” | Ora Bafman | Hebrew | Mahol Akhshav-Dance Today | 26 | 45-46 |
| New book: “Festive Dances: Collection of Dances within the Yearly Cycle” by Tirza Sapir and Shlomit Ofer | Shiri Lilos | Hebrew | Mahol Akhshav-Dance Today | 26 | 64-62 |
| Moving between Localism and Globalism and Glocalilzation: Israeli Theatrical Dance in the Era of Globalization | Milca Leon | Hebrew | Mahol Akhshav-Dance Today | 26 | 38-40 |
| Thoughts Following the Contact-Improvisation Conference in Kiev | Arye Burstyn | Hebrew | Mahol Akhshav-Dance Today | 26 | 36-37 |
| Creative Artist’ Voice Conference: Manifesto | Ran Brown | Hebrew | Mahol Akhshav-Dance Today | 26 | 32-33 |
| A Case Study: Incorporating Digital and Visual Literacy in the Curriculum for Studying Dance History in Dance Studies in Israel | Hilit Waserbrot | Hebrew | Mahol Akhshav-Dance Today | 26 | 24-31 |
| A Connection of the Upper and the Lower Spheres: Perceptions and Positions of Observant Dance Teachers Toward the Teaching of Dance to Pupils in the General-Religious Education of Dance to Pupils in the Israel General-Religious Education | Talia Perlstein | English | Mahol Akhshav-Dance Today | 26 | 86-91 |
| Women’s Bodies in Writing and Words in Motion: Gaps and Paradoxes in Writing and Body as a Text and in Dance Improvisation | Tamar Sar-Shalom | English | Mahol Akhshav-Dance Today | 26 | 65-79 |
| Editor’s Note | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 25 | 1 |
| Premieres: July – December 2013 | אדוה קידר | Hebrew | Mahol Akhshav-Dance Today | 25 | 67-71 |
| Cannes Dance Festival, November 2013 | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 25 | 65-66 |
| Mahol Shalem Dance Festival in Jerusalem | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 25 | 72-75 |
| Approaching. Distancing. Approaching: Impressions of “Curtain Up” 2013 | Rina Badash | Hebrew | Mahol Akhshav-Dance Today | 25 | 58-60 |
| “Maya Levy and Anando Mars on their Dance “Renaissance | Maya Levy & Anandos Mars | Hebrew | Mahol Akhshav-Dance Today | 25 | 56-57 |
| An Hour with All-Eaters (Omnivores) – A Creative Process | Shani Granot & Nevo Romano | Hebrew | Mahol Akhshav-Dance Today | 25 | 53-54 |
| The Fertility Procession in the Taita Ritual, Kenya | Ester Amrad | Hebrew | Mahol Akhshav-Dance Today | 25 | 47-52 |
| The Rite of Spring” in the 21st Century – Sequence and Fragment” | Sari Elron | Hebrew | Mahol Akhshav-Dance Today | 25 | 41-46 |
| “The Painter Nikolais Roerich and the Stage and Costumes Design for “The Rite of Spring | Ronnie Mirkin | Hebrew | Mahol Akhshav-Dance Today | 25 | 33-40 |
| הצייר ניקולאס רוריך (Roerich) ועיצוב הבמה והתלבושות להופעה המקורית של פולחן האביב בפריס 1913 | רוני מירקין | Hebrew | | | 33- 40 |
| Sergei Diagilev and the Avant-Garde Art | Ruth Marcus | Hebrew | Mahol Akhshav-Dance Today | 25 | 28-32 |
| The Rite of Spring” 1913 -1993: Performance History” | Amira Meroz | Hebrew | Mahol Akhshav-Dance Today | 25 | 24-27 |
| פולחן האביב 1913-1993 – היסטוריה בימתית | | | | | |
| Release Technique – Four Different Views | Shlomit Fundaminsky, Ahrona Israel, Sharona Floresheim and Iris Erez | Hebrew | Mahol Akhshav-Dance Today | 25 | 18-23 |
| Egyptian Dance | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 25 | 13-17 |
| The Walking Enigma: The Action of Walking in Dance | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 25 | 7-12 |
| Dance Writing – The Long and the Short of it | Lyn Matluck Brooks | Hebrew | Mahol Akhshav-Dance Today | 25 | 3-6 |
| Representation, Abstraction and Creativity in Egyptian Dance | Sharon Tourel | English | Mahol Akhshav-Dance Today | 24 | 75-83 |
| Tamar Alyagor is 90 Years Old | Yossi Zeider | Hebrew | Mahol Akhshav-Dance Today | 24 | 40 -42 |
| The Israeli Flamenco Compass Dance Company: New Approaches to Flamenco Dance Movement | Idit Suslik | Hebrew | Mahol Akhshav-Dance Today | 24 | 36-39 |
| The Unique Teaching Method of Silvia Duran | Ornilli Azulay | Hebrew | Mahol Akhshav-Dance Today | 24 | 32-35 |
| Ohad Naharin’s “The Hole” – Thoughts about the Absence | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 24 | 31 |
| Duck” – The Creative Pocess” | Yoni Soutchy | Hebrew | Mahol Akhshav-Dance Today | 24 | 28 -30 |
| Failure in “Cafe Muller”: Choreography Through the Term Gesture | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 24 | 24-27 |
| Premieres: January – June 2013 | אדוה קידר | Hebrew | Mahol Akhshav-Dance Today | 24 | 45-46 |
| To do what I love best: The dancer Oryan Yohanan in a courageous and revealing article about life and art as one totality | Oryan Yohana | Hebrew | Mahol Akhshav-Dance Today | 24 | 17-23 |
| The Monte Carlo Ballet: An interview with Jean Christophe Maillot focusing on his creative process | Ora Bafman | Hebrew | Mahol Akhshav-Dance Today | 24 | 43-45 |
| The Dance that Heals Us – Yardena Cohen’s Work and her Contribution to Dance Movement Therapy | Yael Barkai | English | Mahol Akhshav-Dance Today | 24 | 67-74 |
| הרמת מסך 2018/ ביקורת מחול של רות אשל | | | | | |
| Ailing Body: A Buddhist Approach to Dance Training | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 24 | 14-16 |
| Two Rooms Apartment” – The Creative Process” | Niv Sheinfeld & Oren Laor | Hebrew | Mahol Akhshav-Dance Today | 24 | 12-13 |
| Re-engagement in the Arts of Dance: A “Two-Room Apartment” by Niv Sheinfeld and Oren Laor | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 24 | 9-11 |
| Zira Festival – Ring Festival | Ruth Eshel, Sahar Azimi, Shlomi Bitton, Michal Herman, Uri Shafir, Lillach Livne | Hebrew | Mahol Akhshav-Dance Today | 24 | 3-8 |
| תיאטרון-תנועה בישראל | | | | | |
| Dancing With the Dream – The Development of Artistic Dance in Israel 1920-1964 | | | | | |
| הקולאז’ הדאדאיסטי כאלמנט מרכזי ביצירותיו של מרס קניניגהם | שרון טוראל | Hebrew | | | 46-47 |
| Interview with Nadya Timofeyeva | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 19 | 17-19 |
| Interview with Valery Panov | Michal Rosenzweig | Hebrew | Mahol Akhshav-Dance Today | 19 | 20-22 |
| Interview with Alexander Alexandrov | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 19 | 23-24 |
| A 90 degree rotation in the hip joint, is that so? Qualitative frequent directions for movement as against options of kinesiology and bio-mechanisms of the body | Hila Covrigaro Pinhasi | Hebrew | Mahol Akhshav-Dance Today | 19 | 25-26 |
| What does the body know? About the body’s intelligence and the unity between the body and the spirit in the Buddhist theory | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 19 | 27-29 |
| Let There be Light – Reflection on a Turning Point in the Work of Creation | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 19 | 30-31 |
| What’s between contemporary dance and humanistic education | Ran Brown | Hebrew | Mahol Akhshav-Dance Today | 19 | 39-43 |
| Movement Literacy and Eshkol-Wachman Notation | Shlomit Ofer | Hebrew | Mahol Akhshav-Dance Today | 19 | 44-48 |
| Premiers: July – December 2011 | | Hebrew | Mahol Akhshav-Dance Today | 19 | 49-53 |
| לרקוד בקצב אחר (הודו) | Ortal Cohen | Hebrew | | | 54-56 |
| Dance Biennale, Lyon 2010 | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 19 | 60 |
| London – Talks about ballet – Fall, 2010 | Liora Bing-Heidecker | Hebrew | Mahol Akhshav-Dance Today | 19 | 57-59 |
| A gesture, a word, dance: the word-dance relationship in the works of Trisha Braun and Bill.T.Jones | Alice Dor Cohen | Hebrew | Mahol Akhshav-Dance Today | 19 | 32-38 |
| I think before I am Physical: Feminism, the Grotesque, or how Abstract Subjectivity Turned into Flesh | Sara Cohen Shabot | Hebrew | Mahol Akhshav-Dance Today | 20 | 3-5 |
| Monuments” – Creative Process” | Rotem Tashach | Hebrew | Mahol Akhshav-Dance Today | 20 | 6-8 |
| A notion journal on the creation process of “Frenzy” – A Poetry Reading Performance on the Border of Movement and the Spoken Word following a Conversation with Tיree participants | Dana Lubinsky | Hebrew | Mahol Akhshav-Dance Today | 20 | 9-13 |
| Sara Levi-Tanai talks about her work – Introduction by Henia Rottenberg | Sara Levi Tanai | Hebrew | Mahol Akhshav-Dance Today | 20 | 14-15 |
| Far and Near: Ze’eva Cohen – A Tribute Night & Two Interviews | Iris Lana | Hebrew | Mahol Akhshav-Dance Today | 20 | 16-20 |
| What do the Dancers Say | Ruth Eshel & Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 20 | 21-24 |
| Ilan Lev’s Method with Injured Dancers | Eldad Mannheim | Hebrew | Mahol Akhshav-Dance Today | 20 | 25-26 |
| Stumbling on to the Rock of the Real: Merce Cunningham, Stevoj Zizek, Contigency and the Real | Dana Miles | Hebrew | Mahol Akhshav-Dance Today | 20 | 40-42 |
| Looking Through the Glasses of Space and Time: A Phenomenological Approach to the Work of Cuningham | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 20 | 38-39 |
| Merce Cunningham Dances Him-Self: Individuality in the Discourse and Work of Merce Cunningham | Yael (Yali) Nativ | Hebrew | Mahol Akhshav-Dance Today | 20 | 43-45 |
| Wake Up! – The Choreorapher, the Audience and Relationship | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 20 | 48-50 |
| Where is the dancer | Ester Nadler | Hebrew | | | 51 |
| Post-modern dance according to Sally Banes | Yael Orni | Hebrew | Mahol Akhshav-Dance Today | 20 | 53-54 |
| The book “Move to learn” by Rachel Segev-Tal and Rinat Galili | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 20 | 55 |
| Worshop with Costanza Macers | Yonat Rotman | Hebrew | Mahol Akhshav-Dance Today | 20 | 56 |
| Dance fesitval in India | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 20 | 57 |
| Premieres: January – June 2011 | Adva Keidar | Hebrew | Mahol Akhshav-Dance Today | 20 | 58 |
| Eshkol, Kleist, Cunningham | John Harries | English | Mahol Akhshav-Dance Today | 20 | 61-63 |
| You dance, I photograph: Aspects of similarities between dance and cinema, as reflected in Chantal Akerman’s movie “Un Jour Pina M’a Demande” (1983) and cinema | Rina Badash | Hebrew | Mahol Akhshav-Dance Today | 22 | 3-5 |
| Dramaturgy in Contemprorary Dance in Israel | Noa Mak Ofer | Hebrew | Mahol Akhshav-Dance Today | 22 | 6-9 |
| Revisiting a Dance History: Traces on the 1960s in Current Contemporary Dance | Yael Flexer | Hebrew | Mahol Akhshav-Dance Today | 22 | 10-15 |
| Flesh is Something out of Life” and the Carnival against the “Groosland” Ballet Conventions” | Shlomit Ginzburg | Hebrew | Mahol Akhshav-Dance Today | 22 | 16-18 |
| “Dance as a Proverb: Reflections on Walking and Process following the Film “Flutchkess | Liora Bing-Heidecker | Hebrew | Mahol Akhshav-Dance Today | 22 | 19-21 |
| Body or Machine: Body Representations in the “Hamlet Machine” by Heiner Muller | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 22 | 22-25 |
| Bombyx Mori: To Paint with a Thread of Reality – Inbal Pinto and Avshalom Pollak | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 22 | 26-29 |
| Impressions from the Work Process on “Bombyx Mori” by Inbal Pinto and Avshalom Pollak | Zvi Fishzon | Hebrew | Mahol Akhshav-Dance Today | 22 | 30-31 |
| Tamir Ginz’s “Status” – The Creative Process | Tamir Ginz | Hebrew | Mahol Akhshav-Dance Today | 22 | 32-35 |
| Breaking the Tradition and Reconstructing it from the Wreck: Contemporary Flamenco between Tradition and Innovation | Idit Suslik | Hebrew | Mahol Akhshav-Dance Today | 22 | 36-42 |
| Apropos Ballet | Matte Moray | Hebrew | Mahol Akhshav-Dance Today | 22 | 43-44 |
| An Interview with Itzik Galili | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 22 | 45-46 |
| Reflections on Training a Classical Dancer Following Work with the Jerusalem Ballet | Yoram Karmi | Hebrew | Mahol Akhshav-Dance Today | 22 | 47-48 |
| Desire to Combine Tradition and Innovation in Ballet | Nadia Timofeyeva | Hebrew | Mahol Akhshav-Dance Today | 22 | 49 |
| Theater and Dance in the Teaching Methods of the Dance Theater Pioneer in Israel – Danya Levin | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 22 | 50-54 |
| The Moment all the Particles Become a Work of Art – Designing for Martha Graham | Dani Karavan | English | Mahol Akhshav-Dance Today | 22 | 71-75 |
| Founder’s Syndrome in Dance Companies – The Case of Bat-Dor and Inbal Dance Theatre | Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 22 | 58-61 |
| Women in Performance | Efrat Mazor | Hebrew | Mahol Akhshav-Dance Today | 22 | 62-65 |
| SEEING ISRAELI AND JEWISH DANCE by Judith Brin-Ingber | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 22 | 66 |
| And How does a Camel Dance?” Gaby Aldor” | Gaby Levin | Hebrew | Mahol Akhshav-Dance Today | 22 | 67 |
| Premiers: January – June 2012 | Adva Koren | Hebrew | Mahol Akhshav-Dance Today | 22 | 68 |
| To Make a Change: 20th Anniversary of Vertigo Dance Company | Adi Shaal | Hebrew | Mahol Akhshav-Dance Today | 23 | 3-8 |
| Curtain Up 2012 – Haramat Masach | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 23 | 12-13 |
| “Motifs and Symbols in Ancient takes as Inspiration for the Ballet “Swan Lake | Hilit Wasserbrot | Hebrew | Mahol Akhshav-Dance Today | 23 | 18-22 |
| To Dance in Haifa – Folk and Concert Dance | Ruth Eshel & Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 23 | 23-29 |
| Fifty Jubilee of the Democratic Youth Festival in Helsinki | Dafna Bril | Hebrew | Mahol Akhshav-Dance Today | 23 | 30-33 |
| Whom is the Bell ringing for? About the Royal Dance Academy (London) and its Activity in Israel, 1967-2012 | Ruth Eshel & Zohar Burshtein | Hebrew | Mahol Akhshav-Dance Today | 23 | 35-41 |
| Premieres: June – December 2012 | Edva Keidar | Hebrew | Mahol Akhshav-Dance Today | 23 | 42-51 |
| Butoh’s Semicentennial Anniversary: From a Japanese Dance to Global and Israeli Art | Rotem Kowner | Hebrew | Mahol Akhshav-Dance Today | 23 | 54 |
| Hijikata, Ohno and their successors: The naissance of Butoh and its evolution in historical and social contexts | Rotem Kowner | Hebrew | Mahol Akhshav-Dance Today | 23 | 55-59 |
| The Transcultural Dimension of the Butoh | Michal Daliot Bul | Hebrew | Mahol Akhshav-Dance Today | 23 | 60-64 |
| To think Zen, to dance Butoh | Kinnert Noy | Hebrew | Mahol Akhshav-Dance Today | 23 | 65-67 |
| To loose oneself in dancing: Jinen Butoh and Takenouchi Atsushi | Shir Meller Yamaguchi | Hebrew | Mahol Akhshav-Dance Today | 23 | 68-71 |
| Body-Soul thorough the Perspective of the Butoh: In Search of Unique Therapeutic Characteristics | Shira Taube Dayan | Hebrew | Mahol Akhshav-Dance Today | 23 | 72-75 |
| The Butoh dance in Israel: Historical Perspective | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 23 | 82-87 |
| Butoh thoughts and contemplations | Maya Dunsky | Hebrew | Mahol Akhshav-Dance Today | 23 | 88-93 |
| The poetics of Butoh, an interview with Neta Plotzky | Nataly Turjman | Hebrew | Mahol Akhshav-Dance Today | 23 | 94-96 |
| Butoh: An Artistic Travel Diary | Tamar Borer | Hebrew | Mahol Akhshav-Dance Today | 23 | 97-99 |
| From a Short Story to Choreography – In the Wake of “Three Sisters” – Connect, Disconnect | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 30 | 7-9 |
| Pina Bausch’s Dancing Sound – Auditory Aesthetics as a Performative Function in Dance-Theater | Miri Lazar | Hebrew | Mahol Akhshav-Dance Today | 29 | 39-43 |
| Works for Children | Noa Dar | Hebrew | Mahol Akhshav-Dance Today | 32 | 8-12 |
| ספר חדש: על צמיחתה של התנועה לריקודי עם בישראל | יזרעאלה כהנא | Hebrew | | | 60 |
| סדנאות לכוריאוגרפים צעירים של להקות ריקודי עם | דן רונן | Hebrew | | | 29-30 |
| One Hundred Years to Diaghilev’s Russian Ballet | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 16 | 29-30 |
| Words in Memory of Pearl Lang – Dancer, Choreographer, Artistic Director and Teacher 1920-2009 | Rena Gluck | Hebrew | Mahol Akhshav-Dance Today | 16 | 32 |
| Gevanim Bemahol – Shades of Dance, 2009 | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 16 | 35-37 |
| Choreography in Iron – Andres Komnin | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 16 | 38 |
| Dance Today – Index According to Author’s Names | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 16 | 44-47 |
| Dance Today 1-15 – Index – Subjects | Ruth Eshel | Hebrew | | | 48 - 58 |
| Folk Dance Competition in Karmiel Festival 2009 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 16 | 39 |
| Bracha Dudai, 1937 – 2009, A Web of Deeds | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 16 | 31 |
| Premieres: January – June 2009 | | Hebrew | Mahol Akhshav-Dance Today | 16 | 41-43 |
| Rina Nikova: The Israeli Charm-point at the Fringe of the New York Boiling Dance Scene, 1928-1931 | Sari Elron | Hebrew | Mahol Akhshav-Dance Today | 16 | 12-14 |
| Jeannette Ordman: The Woman who Realized a Dream and Broke Tt | Siki Kol | Hebrew | Mahol Akhshav-Dance Today | 14 | 38-39 |
| (2009-1989) Twenty Years to “Curtain Up” – Haramat Masach | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 17 | 3-8 |
| Interview with Nily Cohen about Curtain Up | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 17 | 9-11 |
| Aviva Ori Interviewing Gila Toledano | Aviva Ori | Hebrew | Mahol Akhshav-Dance Today | 17 | 62-67 |
| The 100th Anniversary of Anna Sokolow – The Israeli Chapter | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 17 | 18-24 |
| Mia Arbatova Ballet Competition – The Two First Decades | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 17 | 24-25 |
| Yehuda Ma’or – Ballet Master | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 17 | 25-27 |
| Feeling and form in the works of Anat Danieli and Noa Wertheim | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 17 | 28-30 |
| Ada Levit – Educator in Dancing | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 17 | 31-32 |
| Interview with Rabeah Murkus – Here they Take out their Pressures | Michal Rosenzweig | Hebrew | Mahol Akhshav-Dance Today | 17 | 33-35 |
| Interview with the Jazz Instructor Coordinator, Dana Maller-Adler | Hila Covrigaro Pinhasi | Hebrew | Mahol Akhshav-Dance Today | 17 | 36-39 |
| Exposure to Classics – An Inter-disciplinary Layout | Isaac Rosenblum | Hebrew | Mahol Akhshav-Dance Today | 17 | 40-43 |
| The Place of Dance in Germany’s General Education | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 17 | 44-45 |
| Interview with Yair Vardi, Head of the Dance School at the Jerusalem Music and Dance Academy | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 17 | 47-48 |
| Local Initiative of Encouraging Instruction: School additional studies at Tivon’s School of Dance | Levana Korin | Hebrew | Mahol Akhshav-Dance Today | 17 | 49-50 |
| On the Book “About the Time” in Eshkol-Wachman’s Movement Notation by John Harries | Sharon Resheff-Armoni | Hebrew | Mahol Akhshav-Dance Today | 17 | 51 |
| A Small Window to Noa Eshkol | Naomi Polani | Hebrew | Mahol Akhshav-Dance Today | 17 | 52 |
| Words about a new dance book – Dance Discourse in Israel | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 17 | 54 |
| Impulstanz – 26th Vienna international dance festival, 2009 | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 17 | 56-57 |
| About Time and Eshkol-Wachman Movement Notation | John Harries | Hebrew | Mahol Akhshav-Dance Today | 17 | 53 |
| What do we Teach When we teach Dancing? and What About Contact-Improvisation | Arye Burstyn | Hebrew | Mahol Akhshav-Dance Today | 21 | 34-37 |
| Creativity – Thoughts about the Historical-Cultural Contexts of a Frequently Mention Notion | Moshe Zuckerman | Hebrew | Mahol Akhshav-Dance Today | 21 | 3-6 |
| Reflections for Training Dancers for Creativity | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 21 | 7-8 |
| Intima Dance 2011, Tmuna Theater – Creators Write | Hillel Kogan & Leo Lerus & Shir Medvetzky & Dina Ziv & Dafi Altebab & Irad Mazliah | Hebrew | Mahol Akhshav-Dance Today | 21 | 9-17 |
| Acceding to Ignorance: Creation Processes in Dance According to Zen | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 21 | 14-17 |
| A Single Dance Versus the Environment | Anat Shamgar | Hebrew | Mahol Akhshav-Dance Today | 21 | 18-22 |
| “Thoughts and Reflections in the Creation of “Gila | Galit Liss | Hebrew | Mahol Akhshav-Dance Today | 21 | 31-33 |
| Thought about Guidance in Composition Class – An Interview with Yael Venezia | Efrat Mazor & Yael Venezia | Hebrew | Mahol Akhshav-Dance Today | 21 | 38-40 |
| Every Lesson Must be an Experience, as if there isn’t going to be Another Lesson – An Interview with Ariela Peled | Varda Zehavi-Lamberski | Hebrew | Mahol Akhshav-Dance Today | 21 | 41-43 |
| The Total of the Expanse Exceeds the Sum of its Parts – On | Einav Katan | Hebrew | Mahol Akhshav-Dance Today | 21 | 44-47 |
| Three Letters to Tehila Rossler | Yonat Rothman | English | Mahol Akhshav-Dance Today | 21 | 69-71 |
| Akim Lvovich Volinksy – About Classical Ballet’s Aesthetics | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 21 | 52 |
| Portrait: Rodika Foigelman – A Dance Accompanying Pianist | Sharon Tourel | Hebrew | Mahol Akhshav-Dance Today | 21 | 55 |
| The Fact that I Dared Perform – Conversation with Rachel Milshtein, Pioneer of Belly Dance in Israel | Yael Mero | Hebrew | Mahol Akhshav-Dance Today | 21 | 56-59 |
| Premiers: June- December 2011 | | Hebrew | Mahol Akhshav-Dance Today | 21 | 61-66 |
| Editor’s Note | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 21 | 1 |
| Montpellier, that is to say Montanary | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 21 | 67-70 |
| “Art as Life” – In a Creation “With Subtitles” | Ronit Ziv | Hebrew | Mahol Akhshav-Dance Today | 21 | 23-25 |
| Book review: The growth of the Folkdance movement in Israel by Dan Ronen | Yesraela Kahana | Hebrew | Mahol Akhshav-Dance Today | 21 | 60 |
| Asceticism, Hedonism and Virus: Keys to understandking Ohad Naharin’s Artistc’s Work | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 18 | 3-10 |
| Tremble of light in the dark: ‘Mana” by Noa Wertheim | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 18 | 11-13 |
| Yardena Cohen Gnerates Wonders Between Past, Present and Future | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 18 | 14-18 |
| The uniqueness of the ornamentation dance in the Bikurim Pagaents in the mirror of generations | Ilil Zilberman | Hebrew | Mahol Akhshav-Dance Today | 18 | 24-28 |
| Flamenco Dance on a Time Line | Shira Shemi Fux | Hebrew | Mahol Akhshav-Dance Today | 18 | 31-37 |
| Visioning the dance and dancing the vision | Lea Ben-Zvi | Hebrew | Mahol Akhshav-Dance Today | 18 | 38-39 |
| Reflections of training students at the dance track | Lea Ben-Zvi | Hebrew | Mahol Akhshav-Dance Today | 18 | 40-42 |
| All my Bones Shall Say: Contemporary Jewish Dance in Israel | Ronen Itzhaki | Hebrew | Mahol Akhshav-Dance Today | 18 | 62-66 |
| Model of training dance teachers for the tender age at the state-religious sector at Orot Israel college | Sari Kaz Zichroni | Hebrew | Mahol Akhshav-Dance Today | 18 | 47-52 |
| Montpellier festival 2010 | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 18 | 57-58 |
| Premieres: January – June 2010 | אדוה קידר | Hebrew | Mahol Akhshav-Dance Today | 18 | 59-60 |
| Editors Notes | Ruth Eshel & Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 18 | 1 |
| Nature after all is a very great dancer – An interview with Yardena Cohen | Rena Gluck and Iris Lana | Hebrew | Mahol Akhshav-Dance Today | 18 | 19-23 |
| Curtain Up 2010 | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 19 | 3-5 |
| Creation in the junction between the authentic and the renwed (Eskesta and Beta Dance Groupes): a Personal story | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 19 | 6-9 |
| Contemprorary belly dancing – creation process | Orly Portal | Hebrew | Mahol Akhshav-Dance Today | 19 | 10-13 |
| Ideologies, concepts and dance: Mary Wigman and Zionist Dance | Dana Miles | Hebrew | Mahol Akhshav-Dance Today | 19 | 14-16 |
| פרסומות (2)/ | | Hebrew | | | 89-98 |
| צילומים/להקת בת-שבע 1964-1984 | | Hebrew | | | 99-122 |
| פרסומות /בוטיק בלט,להקת כרמון,תיאטרון מחול רמלה, הספריה המרכזית למוסיקה ומחול,רינה שחם, נעמי אלסקובסקי, מירי בן ברוך, אולפן למחול חומה ומגדל | | Hebrew | | | 93-98 |
| פרסומות/האקדמיה המלכותית למחול – ר.א.ד,מרכז ביכורי-העיתים, המדור לריקודי-עם,בלט חיפה,תמו-נע, אולפן איזורי עמק הירדן, להקת מחול מירלה שרון, תיאטרון מחול רות אשל, אמנות המחול – שרה יוחאי, קול דוממה ועוד | | Hebrew | | | 123-148 |
| הדור השני- שושנה ויהודית אורנשטיין, דבורה ברטונוב, ירדנה כהן, דניה לוין | | Hebrew | | | 20-27 |
| פליטות מאירופה – גרטרוד קראוס,רקדניות נוספות | | Hebrew | | | 28-32 |
| שקיעת המחול האירופי | | Hebrew | | | 42-48 |
| סגנון ורפרטואר | | Hebrew | | | 69-71 |
| מוסיקה ומחול | | Hebrew | | | 72-74 |
| המחול האמנותי בקיבוצים -ראשוני המחול האמנותי בקיבוצים | | Hebrew | | | 80-86 |
| מקורות – רשימה ביבליוגרפית, רשימת מרואיינים | | Hebrew | | | 115-116 |
| השפעת המחול הפוסט-מודרני האמריקני על תיאטרון-התנועה בישראל – “כותרות נזכרות” (1977) מאת רות זיו-אייל,”דיוקן של דמגוג” (1977) מאת רחל כפרי, “פחים ושיער” (1979) מאת רנה שינפלד, “גלימה לסקילה עצמית” (1980) מאת רות אשל | | Hebrew | | | 77-137 |
| השפעת מחול ההבעה על תיאטרון-תנועה בישראל | | Hebrew | | | 228-244 |
| שקיעת תיאטרון-תנועה בישראל | | Hebrew | | | 245-250 |
| Advertisments | | Hebrew | Israel Dance Annual | 1980 | 81-107 |
| Advertisments | | Hebrew | Israel Dance Annual | 1978 | 85-105 |
| Advertisments | | Hebrew | Israel Dance Annual | 1983 | 32-54 & 89-98 |
| Advertisments | | Hebrew | Israel Dance Annual | 1977 | 49-85 |
| Photos | | Hebrew | Israel Dance Annual | 1977 | 86-115 |
| THE PIONNEERS- BARUCH AGADATI, MARGALIT ORNSTEIN, RINA NIKOVA | | Hebrew | | | 11-19 |
| הדור השלישי | | | | | |
| Servants from all the Worlds – Barak Marshall Performs the Miracle in this New Work “Monger | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 15 | 13-14 |
| Is There Future for Ethnic Dance in Israel | Ayala Goren Kadman | Hebrew | Mahol Akhshav-Dance Today | 15 | 15-17 |
| Connection and Detachment Junctions between Concert Dance and the Ethnic Dance in Israel | Ruth Eshel | English | Mahol Akhshav-Dance Today | 15 | 62-67 |
| Dance up to 1938, Dance up to 2000, Brurungen Festival, Vienna | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 15 | 58-59 |
| To fish the Eskesta (Shoulder dancing) – creation processes for building contemporary Ethiopian-Israeli Dance | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 15 | 18 -24 |
| Haramat Masach (Curtain Up) – Compressed and Rapid | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 15 | 25-26 |
| Curtain Up 2008: It is necesssary to return to dancing – the crissis of Curtain Up | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 15 | 26-27 |
| Following “Post Martha”: Repetitive questions about the essence of dance – Meeting with Niv Sheinfeld and Oren Laor | Nava Zuckerman | Hebrew | Mahol Akhshav-Dance Today | 15 | 27-28 |
| Water Project – A Memorial Gesture in Honor of Orphan Children Murdered in the Holocaust | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 15 | 61-62 |
| The dynamic body in open space – International conference at the Laban Center in London | Milca Leon | Hebrew | Mahol Akhshav-Dance Today | 15 | 57 |
| To be within the at school: Phenomology of dance among girls at the Dance Tracks | Yael (Yali) Nativ | Hebrew | Mahol Akhshav-Dance Today | 15 | 36-39 |
| Premiers: June – December 20018 | Michal Rosenzweig | Hebrew | Mahol Akhshav-Dance Today | 15 | 50-53 |
| From a dance photographer’s view point | Kfir Bolotin | Hebrew | Mahol Akhshav-Dance Today | 15 | 29-31 |
| Contact Improvisation in Israel | Lilach Gavish | Hebrew | Mahol Akhshav-Dance Today | 15 | 55-56 |
| How and why have I become an advisor, an examiner and a chief supervisor on the subject of dance in the “Organization for International Bachelor of Art Degree” for hight school students – IB | Ze'eva Cohen | Hebrew | Mahol Akhshav-Dance Today | 15 | 32-35 |
| Ilana Cohen Retires and Spreads her Wings | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 15 | 59 |
| An Interview with the Artist Ruth Kaner: Theatre, Movement, Text and Relationship Between Them | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 15 | 48-49 |
| To dance through life | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 15 | 40-41 |
| What is seen from here cannot be seen from there | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 15 | 42-44 |
| A dance stage in being built in Jerusalem | Lilach Gavish | Hebrew | Mahol Akhshav-Dance Today | 15 | 54-55 |
| In memory of Glen Tetley and Norman Morris | Rena Gluck | Hebrew | Mahol Akhshav-Dance Today | 14 | 43-44 |
| The Flourishing of Contemporary Dance in Israel Today | Ruth Eshel | English | Mahol Akhshav-Dance Today | 14 | 59-63 |
| I and the “Other”: The Perception of the “Other” and “Grouping” in Levinas and Ardent and in the Israel Dance of the 40’s and the 50’s | Dana Miles | Hebrew | Mahol Akhshav-Dance Today | 14 | 17-19 |
| And After….Requieme for Jeannette Ordman | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 14 | 40-42 |
| A Letter from Montpellier | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 14 | 54-56 |
| Sara Levi Tanai and Rina Nikova – Diffenences in Establishing the Yemenite Inspired Hebrew Dance | Dina Roginsky | Hebrew | Mahol Akhshav-Dance Today | 14 | 30-35 |
| Noa Wertheim’s “White Noise” – Ecological Dance by Vertigo Dance Company | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 14 | 8-11 |
| Word, Movement, Word – The Place of the Word, the Place of the Movement | Nava Zuckerman | Hebrew | Mahol Akhshav-Dance Today | 14 | 20-23 |
| To Forget the Words – Text in the Works of Yasmeen Godder | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 14 | 12-16 |
| Premieres: January – June 2008 | מיכל רוזנצוייג | Hebrew | Mahol Akhshav-Dance Today | 14 | 47-49 |
| Text- Ures | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 14 | 24-26 |
| “Dance Narrative – An Analytical Approach to the Narrative of “Ballet Fantastique | Astrid Bernkopt | Hebrew | Mahol Akhshav-Dance Today | 14 | 27-29 |
| Fringes at the Center – “Tetris” at the Center by Noa Dar | Henia Rottenberg | English | Mahol Akhshav-Dance Today | 16 | 55-59 |
| Naked in their Shells – Clipa Theater for Performing Art | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 16 | 7-11 |
| Thoughts About center and Periphery Following Heinrich von Kleist | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 16 | 15-17 |
| God hates as boasting language – the Unique Role of Movement and Dancing in Tackling the Center-periphery Relationship in the Greek Polis, as Expressed in a Tragedy | Dana Miles | Hebrew | Mahol Akhshav-Dance Today | 16 | 18-20 |
| Getting away from the city, dancing in the desert: Third phase in the project of Arab-Jewish co-existence in dancing | Rina Badash | Hebrew | Mahol Akhshav-Dance Today | 16 | 21-24 |
| Yair Shapira Conference – A Mirror Reflecting the Central Place of the Periphery Dancing Schools in the Field of Dance Education in the Country | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 16 | 25-27 |
| מקראה קטנה | מרי ויגמן | Hebrew | | | 14-15 |
| טעמי המקרא כמרכיב בתנועה | נעמי בהט-רצון | Hebrew | | | 14-18 |
| עובדות ופעילויות/ הידיעות מפוזרות – לצפייה פתח השנתון המלא (עמ’ 9 – 23)/ אולפן אזורי מנשה, הכרה אקדמית למחול, ר.א.ד, המדור לריקודי עם, ספרי מחול, מפגש סקציית המחול, מלגות, פרס יאיר שפירא | | Hebrew | | | 23 |
| “אדם יש לו שכל עד שהוא קם לרקוד” – סיכום ראשוני של עבודת מחקר בתחום המחול התימני | שלום סטאוב | Hebrew | | | 16-17 |
| אדם יש לו שכל עד שהוא קם לרקוד | שלום טאוב | English | | | 16-18 |
| פרסומות/ להקת מחול הקיבוצית,ארטיס, אולפן אזורי עמק הירדן, להקת בלט פיקולו, מרכז מחול חיפה, סטודיו לבלט אינסה אלכסנדרוביץ’, דנאור, אטלס, המרכז לבלט קלאסי, אולפן אזורי למחול מנשה, סטודיו למחול נעמי אלסקובסקי | | Hebrew | | | 43-48 |
| פרסומות/האקדמיה המלכותית למחול,פסטיבל ישראל, המכון לאמנות המחול, האקדמיה למוסיקה בירושלים, קרן תל-אביב, יעקב לוי, סטודיו להט לג’אז, אורות במה, סטודיו הילדה קסטן, המפעל לטיפוח רקדוי עדות,זרקור, רנה שינפלד, רינה שחם,בת-שבע, קול ודממה, סילביה דוראן,ברית התנועה הקיבוצית, רוזמרין שלמה, סטודיו לבלט רחל טליתמן,דיאנה בלצ’ר, בית ספר למחול, הבוסתן, רות אשל, סטודיו קטיה מיכאלי ועוד | | Hebrew | | | 85-105 |
| פרסומות/האקדמיה המלכותית למחול-לונדון,בוטיק בלט,קרן תל-אביב, בת-שבע,המפעל לטיפוח ריקודי עדות,סטודיו קטיה מיכאלי, בית ספר למחול עופרה בן צבי-סרוסי, סטודיו שרה יוחאי, הספריה המרכזית למוסיקה ולמחול, להקת בלט פיקולו-חיפה, מרכז המחול חיפה,סדנא קטומונית לתנועה – ירון מרגולין, סטודיו רוזמרין שלמה, ורה גולדמן,ענבל, הבלט הישראלי,קרן התרבות אמריקה-ישראל, פסטיבל ישראל,סמינר אורנים,בת-דור, קול דוממה, סילביה דוראן ועודי, | | Hebrew | | | 81-107 |
| פרסומות/האקדמיה המלכותית למחול – ר.א.ד, בוטיק בלט,קרן תל-אביב, בת-שבע,המפעל לטיפוח ריקודי עדות, סטודיו קטיה מיכאלי, בית ספר עופרה בן-צבי,להקת פיקולו חיפה, מרכז המחול בחיפה,הורה, ברית התנועה הקיבוצית ועוד | | Hebrew | | | 49-80 |
| פרסומות/הורה-אגודה עירונית למחול,סטודיו קטיה מיכאלי, סטודיו עופרה בן צבי-סרוסי,דליה לאו,חוט השני, קרן התרבות אמריקה-ישראל,סטודיו רינה שחם, סטודיו רינה שינפלד, אולפן אזורי למחול מנשה,דנאור, סילביה דוראן,המכון לאמנות המחול, ארטיס,האקדמיה המלכותית למחול – ר.א.ד , תיאטרון מחול רות אשל,האקדמיה למוסיקה בירושלים ועוד | | Hebrew | | | 70-106 |
| Meredith Monk – The Education of a Girl-Child | Ronit Land | Hebrew | Israel Dance Annual | 1983 | 16-17 |
| Fred Berk -The Life of a Jewish Dancer | Judith Brin Ingber | English | Israel Dance Annual | 1983 | 108-102 |
| Insight – A Report on a Year’s Study in the USA | Ruth Eshel | Hebrew | Israel Dance Annual | 1983 | 25 |
| Cycle” – The Work Process of Ruth Ziv Ayal” | Gaby Aldor | Hebrew | Israel Dance Annual | 1983 | 26-28 |
| Premieres in 1982 | | English | Israel Dance Annual | 1983 | 101-99 |
| What I Believe In | Sara Levi-Tanai | Hebrew | Israel Dance Annual | 1982 | 5-6 |
| The Status of the Dancer in the Jewish-Yemenite Tradition | Naomi Bahat Ratzon | Hebrew | Israel Dance Annual | 1982 | 109-112 |
| Too Much a Good Thing – About Kylian and Neumeier | Giora Manor | Hebrew | Israel Dance Annual | 1982 | 108-106 |
| Ballet and the Icarus Syndrome | Hezy Leskly | Hebrew | Israel Dance Annual | 1982 | 13 |
| What is American About American Modern Dance | Judith Brin Ingber | Hebrew | Israel Dance Annual | 1982 | 116-113 |
| The Language of Dance – From Exercise to Expression | Hermona Lin | Hebrew | Israel Dance Annual | 1982 | 19-20 |
| Ruminations on Form and Content | Paul Bloom | Hebrew | Israel Dance Annual | 1982 | 115 |
| In the Wake of John Cranko | Ferry Kemper | Hebrew | Israel Dance Annual | 1982 | 22-23 |
| Premieres in 1981 | | English | Israel Dance Annual | 1982 | 104-102 |
| The State of the Art of Dance in Israel – 1980 | Giora Manor | English | Israel Dance Annual | 1981 | 5-7 (from the left side of the magazine( |
| Mia Arbatova is 75 | Giora Manor | Hebrew | Israel Dance Annual | 1981 | 9 |
| Gurit Kadman received Israel Prize for her Life Achivement in Dance | Ruth Ashkenazi | Hebrew | Israel Dance Annual | 1981 | 12 |
| Modern Dance, Ballet and Folkdance – An Interview with Jiri Kylian | Giora Manor | Hebrew | Israel Dance Annual | 1981 | 120-116 |
| A Male Dancer in Israel | Ron Ben-Israel | Hebrew | Israel Dance Annual | 1981 | 18-19 |
| A Boy from Tel-Aviv who Wanted to Dance | Micha Ness | Hebrew | Israel Dance Annual | 1981 | 18-19 |
| Is there Life Outside a Company – The Absence of Fringe in Dance in Israel | Ruth Eshel | Hebrew | Israel Dance Annual | 1981 | 23-24 |
| The Proper Turn-Out | Asaf Ben-Ze'ev | Hebrew | Israel Dance Annual | 1981 | 25-28 |
| Folkdance in the Education Process | Ruth Ashkenazi | Hebrew | Israel Dance Annual | 1981 | 29-31 |
| “Valery Panov’s “The Idiot | Natan Mishori | Hebrew | Israel Dance Annual | 1981 | 32-33 |
| Premieres in 1980 | | English | Israel Dance Annual | 1981 | 109-107 |
| Biblical Criteria in Modern Dance | Doug Adams & Judith Rock | Hebrew | Israel Dance Annual | 1980 | 148-144 |
| The Nuances of Eleven Dance-derived Expression in the Hebrew Bible | Mayer I. Gruber | Hebrew | Israel Dance Annual | 1980 | 138-132 |
| Salome in Modern Dance | Richard Bizot | Hebrew | Israel Dance Annual | 1980 | 121-117 |
| Anna Sokolow Rehearses Wings | Ron Ben-Israel | Hebrew | Israel Dance Annual | 1980 | 22-26 |
| Do Animals Dance | Shlomit Bat-Dori | Hebrew | Israel Dance Annual | 1980 | 27-30 |
| The Class | Ruth Eshel | Hebrew | Israel Dance Annual | 1980 | 31-32 |
| A Little Girls Goes to the Bolshoi | Inesa Alexandrovich | Hebrew | Israel Dance Annual | 1980 | 32-33 |
| Premieres 1979 | | English | Israel Dance Annual | 1980 | 110-108 |
| Is There Israeli Dance | Joan Cass | Hebrew | Israel Dance Annual | 1978 | 122-121 |
| Between Choreographers and Composer – An Interview with Composer Mordehai Seter | Hanoch Ron | Hebrew | Israel Dance Annual | 1978 | 7-9 |
| On the Lyric Theatre – An Interview with Anna Sokolow and her Former Dancers | Natan Mishori | Hebrew | Israel Dance Annual | 1978 | 10-15 |
| An Interview with Naomi Aleskovsky | Yossi Graber | Hebrew | Israel Dance Annual | 1978 | 16-18 |
| Dance in Israel in the 50’s and 60’s as reflected in the critical articles of Olia Silberman | Giora Manor | Hebrew | Israel Dance Annual | 1978 | 19-23 |
| The “Debka” – A Traditional Dance of Unity and Relaxation | Naomi Bahat Ratzon | Hebrew | Israel Dance Annual | 1978 | 118-113 |
| Palestinian, Jewish, Israeli Dance in America | Fred Berk | Hebrew | Israel Dance Annual | 1978 | 120-113 |
| Ethnic Dance in Israel Today | Ruth Ashkenazy | Hebrew | Israel Dance Annual | 1978 | 112-109 |
| New Dance in the West Coast | Ronit Land | Hebrew | Israel Dance Annual | 1978 | 36 |
| Israel Dance – Youth Section | Pazit | Hebrew | Israel Dance Annual | 1977 | 37-39 |
| Premieres 1978 | | English | Israel Dance Annual | 1978 | 108-106 |
| The Confusing Avant-Garde – About American Dance | Joan Cass | Hebrew | Israel Dance Annual | 1976 | 108-109 |
| Dancing Against Music – The Relationship between Modern Dance and Music | Hanoch Ron | Hebrew | Israel Dance Annual | 1976 | 5-7 |
| Until that I Rose” – Elements of Mourning and Lament” | Ronit Land | Hebrew | Israel Dance Annual | 1976 | 10-11 |
| The Legendary Agadati | Giora Manor | Hebrew | Israel Dance Annual | 1976 | 103-105 |
| G.K – Two Chapters from a Book about Gertrud Kraus | Giora Manor | Hebrew | Israel Dance Annual | 1976 | 118-122 |
| The Story of Israeli Folk Dance In Israel and America | Fred Berk | English | Israel Dance Annual | 1976 | 99-102 |
| Just an Eco – The Dance of Yemenite Women | Shalom Staub | Hebrew | Israel Dance Annual | 1976 | 91-95 |
| Origins of Dance – Elements in Israel Folk Dance and African Culture | Ester Amrad | Hebrew | Israel Dance Annual | 1976 | 24-25 |
| The Diwan: Poetry-Song-Dance Cycles in Jewish Yemenite Culture | Naomi Bahat Ratzon | Hebrew | Israel Dance Annual | 1976 | 26-27 |
| Premieres in 1976 | | English | Israel Dance Annual | 1976 | 86-88 |
| Sitting out Front – Who is the Israeli Audience | Joan Cass | English | Israel Dance Annual | 1975 | 89-92 |
| Facing Backwards – Clinical Report about the Patient – Israel Dance | Giora Manor | Hebrew | Israel Dance Annual | 1975 | 86-88 |
| Costumes for Dance – A Designer’s View about his Art | Moshe Ben Shaul | Hebrew | Israel Dance Annual | 1975 | 8-9 |
| The Americans are Coming – The Growing American Influence on European Ballet and Modern Dance Since World War 2 | Horst Koegler | Hebrew | Israel Dance Annual | 1975 | 12-13 |
| The War is Over Between Ballet and Modern Dance | Giora Manor | Hebrew | Israel Dance Annual | 1975 | 14-15 |
| The Russian Ballerina and the Yemenite | Judith Brin Ingber | Hebrew | Israel Dance Annual | 1975 | 77 |
| Research and Dance Education | | English | Israel Dance Annual | 1975 | 72-76 |
| Premieres in 1974 | | English | Israel Dance Annual | 1975 | 68-71 |
| Ballet Finally Moves Front | Judith Brin Ingber | English | Israel Dance Annual | 1975 | 79-85 |
| An Evening with the Second Graham Generation – Six Israelis in New York | Martin Kace | English | | | 106-107 |
| Advertisments | | Hebrew | Israel Dance Annual | 1975 | 50-67 |
| Photos | | English | Israel Dance Annual | 1976 | 57-84 |
| Photos | | English | Israel Dance Annual | 1975 | 26-49 |
| Advertisments | | Hebrew | Israel Dance Annual | 1976 | 50-67 |
| Advertisments | | Hebrew | | | 50-85 |
| PHOTOS | | Hebrew | | | 86-115 |
| Photos 1977 | | Hebrew | Israel Dance Annual | 1978 | 43-84 |
| Advertisments | | Hebrew | Israel Dance Annual | 1982 | 27-60 |
| Photos 1979 | | Hebrew | Israel Dance Annual | 1980 | 49-80 |
| Photos | | Hebrew | Israel Dance Annual | 1981 | 38-69 |
| Photos | | English | Israel Dance Annual | 1982 | 61-96 |
| חדשות | גיורא מנור | Hebrew | | | 30-41 |
| להקות ובכורות | גיורא מנור | Hebrew | | | 33-36 |
| פרסומות/ גוונים במחול, מרכז סוזן דלל, רות אשל, תמר ירושלים, סמינר הקיבוצים, להקת בת-דור | | Hebrew | | | 55-60 |
| המחול היהודי של ברוך אגדתי | יעקב קופלביץ | Hebrew | | | 9-19 |
| להקות ובכורות/ הבלט הישראלי, להקת בת-דור, להקת בת-שבע, בת -שבע 2, להקת דממה, להקת המחול הקיבוצית, בלט פיקולו, להקת מחול ירושלים, רינה שחם, רות אשל, רחל כפרי, דיאנה בלצ’ר, סילביה דוראן, דליה לאו, רן שנער | פזית | Hebrew | | | 45-47 |
| Israeli Folk Dance and its Kleismerim | Zvi Friedhaber | Hebrew | Israel Dance Annual | 1989 | 5-8 |
| Dances from the Olympus: The “Landscape Dances” of Sara Levi-Tanai | Yaron Margolin | Hebrew | Israel Dance Annual | 1989 | 170-163 |
| Emil Jacques Dalcroze – The Body as a Bridge Between Music and Movement | Ora Gorali | Hebrew | Israel Dance Annual | 1989 | 22-25 |
| Brecht, Montage and Dance Theatre | Elyakim Yaron | Hebrew | Israel Dance Annual | 1989 | 26-27 |
| Kaj Lotman (Selling) – The Past is a Far Place | Ruth Eshel | Hebrew | Israel Dance Annual | 1989 | 30-33 |
| Music and Choreography in Classical Ballet – Yossi Tavor Interviews Yuri Pepko | Yossi Tavor | Hebrew | Israel Dance Annual | 1989 | 42-44 |
| Two Balli: Jewel-Like Dance and Music in Mid-Fifteenth Century in Italy | William Smith | Hebrew | Israel Dance Annual | 1989 | 162-155 |
| The Art of Dance Biography Writing | Giora Manor | Hebrew | Israel Dance Annual | 1989 | 154-153 |
| Premieres in 1988/9 | Giora Manor | English | Israel Dance Annual | 1989 | 148-145 |
| News | | | Israel Dance Quarterly | 9 | |
| News | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 42 |
| News | | Hebrew | Israel Dance Quarterly | 13 | 22-25 |
| The Batsheva Dance Company – The Graham Decade | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 11 | 7-23 |
| An Early Experiment in Dance Theater in Israel | Nava Shan | Hebrew | Israel Dance Annual | 1989 | 152-150 |
| Strangers in the Land of Sound – About the Phenomenon of Deaf and Hard of Hearing Dancers | Ofer Rom | Hebrew | Israel Dance Annual | 1989 | 38-41 |
| The Problems of the Beginning in Dance Composition | Yaron Margolin | Hebrew | Israel Dance Annual | 1987 | 5-9 |
| The Crisis of Modern Dance in Israel in the Fifties – From a Personal Viewpoint of a Dancer | Ruth Eshel | English | Israel Dance Annual | 1987 | 226-221 |
| Dance Composition: The Problems of the Beginning | Yaron Margolin | Hebrew | Folk Dance Supplement | 2 | 10-13 |
| Hassidic Dance at the Rabbi Shim’om Bar-Yohai Festivities at Meiron | Zvi Friedhaber | English | Israel Dance Annual | 1986 | 158-156 |
| Problems of the Coda | Yaron Margolin | Hebrew | Israel Dance Annual | 1986 | 8-12 |
| Benjamin Zemach – From Darkness to Light | Naima Prevots | Hebrew | Israel Dance Annual | 1986 | 155-146 |
| Encounter with Butoh Dancers in Japan | Rachel Bilski Cohen | Hebrew | Israel Dance Annual | 1986 | 19-21 |
| Fokine’s Jewish Ballet Mothers | Ann Wilson Wangh | Hebrew | Israel Dance Annual | 1986 | 142-138 |
| From Michaelangelo to Martha Graham | Giora Manor | Hebrew | Israel Dance Annual | 1986 | 137-135 |
| Moments on the Stage | Micha Ness | Hebrew | Israel Dance Annual | 1986 | 30 |
| The Difference Between Performing Dance on Stage and It’s TV Representation | Ziona Peled | Hebrew | Israel Dance Annual | 1986 | 31-32 |
| Advertisments | | Hebrew | Israel Dance Annual | 1986 | 39-78 |
| Photos | | Hebrew | Israel Dance Annual | 1986 | 79-128 |
| Advertisments | | Hebrew | Israel Dance Annual | 1989 | 120-143 |
| Photos | | Hebrew | Israel Dance Annual | 1989 | 61-119 |
| Jewish Dancing in Wedding Pageantry at Pesaro, Italy in 1475 | William Smith | Hebrew | Israel Dance Annual | 1987 | 220-207 |
| Tradition and Change in Yemenite Dance in Israel | Naomi Bahat Ratzon | English | Israel Dance Annual | 1987 | 206-199 |
| The Development of Folk Dance in Israel | Zvi Friedhaber | English | Israel Dance Annual | 1987 | 198-192 |
| The Seed and the Husk – The Kibbutz Dance Company | Giora Manor | English | Israel Dance Annual | 1987 | 185-182 |
| From Being Cinderella to “Cinderella” – 20 Year of Classical Ballet in Israel | Yossi Tavor | English | Israel Dance Annual | 1987 | 178-175 |
| Fringe Dance in Israel in the Last Ten Years 1977-1987 | Ronit Land | Hebrew | Israel Dance Annual | 1987 | 46-47 |
| Eshkol-Wachman Movement Notation | Amos Hetz | Hebrew | Israel Dance Annual | 1987 | 48-51 |
| Jerusalem’s Dance Companies | Pamela Kidron | Hebrew | Israel Dance Annual | 1987 | 174-169 |
| One has to have Stimulation – Moshe Efrati’s KolDemama Dance Company | Arie Yass | Hebrew | Israel Dance Annual | 1987 | 181-179 |
| Inbal Dance Theatre – Originality and Ongoing Crises | Giora Manor | Hebrew | Israel Dance Annual | 1987 | 62-63 |
| Movement Theatre in Israel | Elyakim Yaron | Hebrew | Israel Dance Annual | 1987 | 64-65 |
| New Directions for the Dance Library of Israel | Pamela Kidron | Hebrew | Israel Dance Annual | 1987 | 168-166 |
| Much More than a Cobbler – In Memoriam of Ben Sommers | Giora Manor | Hebrew | Israel Dance Annual | 1985 | 182 |
| Ten Years Later: Dance In Israel 1975-1985 | Giora Manor | Hebrew | Israel Dance Annual | 1985 | 181-179 |
| The International Congress on Movement Notation | Dawn Lille Horwitz | Hebrew | Israel Dance Annual | 1985 | 178-177 |
| Liturgical Order and Dance Notation | Marcel Dubois | Hebrew | Israel Dance Annual | 1985 | 176-172 |
| And Sara Levi-Tanai Created the Multimedia – 35 Years of Inbal Dance Theatre | Giora Manor | Hebrew | Israel Dance Annual | 1985 | 26-28 |
| Creative Dance Education in Movement Therapy | Ada Levit & Nira Ne'eman | Hebrew | Israel Dance Annual | 1985 | 168-163 |
| Visual Thinking | Ruth Eshel | Hebrew | Israel Dance Annual | 1985 | 33-34 |
| The Phenomen of Break Dance | Joice Molov | Hebrew | Israel Dance Annual | 1985 | 35-36 |
| The Wheel of Lights | Giora Manor & Benzion Munitz | Hebrew | Israel Dance Annual | 1985 | 171-169 |
| Reconstructing Oscar Schlemmer’s Bauhaus Dances | Ronit Land | Hebrew | Israel Dance Annual | 1985 | 40-41 |
| The First Folk Dance Festival in Dalia in 1944 | Zvi Friedhaber | English | Israel Dance Annual | 1985 | 158-154 |
| Celebrating in the Valley and on the Hilltops – Yardena Cohen and Creation of Cultural Patterns in Nature-Connected Festivites in Kibbutzim in the 40’s | Ruth Ashkenazy | Hebrew | Israel Dance Annual | 1985 | 162-159 |
| Premieres in 1985 | | English | Israel Dance Annual | 1986 | 134-131 |
| Meeting Lindsay Kemp | Eli Dor Cohen | Hebrew | Israel Dance Annual | 1985 | 54-56 |
| Photos 1986 | | Hebrew | Israel Dance Annual | 1987 | 73-126 |
| Advertisments 1986 | | Hebrew | Israel Dance Annual | 1987 | 160-127 |
| Photos | | Hebrew | Israel Dance Annual | 1984 | 51-92 |
| Advertisments | | Hebrew | Israel Dance Annual | 1985 | 121-149 |
| In Memoriam – Gertrud Kraus and Ehud Ben David | Giora Manor | Hebrew | Israel Dance Annual | 1977 | 140 |
| What in the Name of Dance are you Counting | Joan Cass | Hebrew | Israel Dance Annual | 1977 | 136-139 |
| A dance company is just an idea in someone’s head | Giora Manor | Hebrew | | | 10-12 |
| Batsheva 2 as an Experimental Group | Ronit Land | Hebrew | Israel Dance Annual | 1977 | 13-14 |
| Pina Bausch and her Dance-Theater | Horst Koegler | Hebrew | Israel Dance Annual | 1977 | 15-16 |
| The Famous and the Beautiful | Judith Brin Ingber | Hebrew | Israel Dance Annual | 1977 | 17-19 |
| Lioness in the Orchestra Pit – Pianist Rachel Pitman and the Ballet Russe de Monte Carlo | Giora Manor | Hebrew | Israel Dance Annual | 1977 | 125-128 |
| Is the Hora an Israeli Dance | Naomi Bahat | English | Israel Dance Annual | 1977 | 129-135 |
| The Procession as a Source of Dance | Ester Amrad | Hebrew | Israel Dance Annual | 1977 | 124-119 |
| Israel Dance for Youth | Pazit | Hebrew | Israel Dance Annual | 1978 | 34-44 |
| Basic Concepts of Ballet Steps | | Hebrew | Israel Dance Annual | 1977 | 37-44 |
| Dance Among the Jews in the Middle Ages and the Renaissance | Zvi Friedhaber | English | Israel Dance Annual | 1984 | 166-162 |
| Dance and Video | Ruth Eshel | Hebrew | Israel Dance Annual | 1984 | 11-14 |
| Teaching dance as movement language | Hermona Lin | Hebrew | Israel Dance Annual | 1984 | 15-20 |
| Can One Teach Choreography | Yaron Margolin | Hebrew | Israel Dance Annual | 1984 | 25-27 |
| Recent Trends in Modern Dance in Germany | Ronit Land | Hebrew | Israel Dance Annual | 1984 | 28-29 |
| Human Dance | Miriam Ben Baruch | Hebrew | Israel Dance Annual | 1984 | 30-31 |
| A Few Things a Choreographer Should not Do | Giora Manor | Hebrew | Israel Dance Annual | 1984 | 158-157 |
| Steps, Style, Authenticity and “Kavana” in Israeli Folkdance | Elliot Cohen | Hebrew | Israel Dance Annual | 1984 | 161-159 |
| The path of the dancer’s soul | Giora Manor | Hebrew | Israel Dance Annual | 1984 | 37-39 |
| The Plie | Akim Volinsky | Hebrew | Israel Dance Annual | 1984 | 40-41 |
| Music Minimalism Invades Dance | Hanoch Ron | Hebrew | Israel Dance Annual | 1984 | 42-45 |
| Premieres in 1984 | | English | Israel Dance Annual | 1985 | 153-151 |
| Educating Movement and Dance Teachers | Naomi Bahat Ratzon | English | Israel Dance Annual | 1984 | 156-153 |
| Timna Yeriel – In Memoriam | Giora Manor | Hebrew | Israel Dance Annual | 1983 | 5 |
| Dramatization in Hassidic Dances | Zvi Friedhaber | English | Israel Dance Annual | 1983 | 120-117 |
| The Dybbuk Dances | Giora Manor | Hebrew | Israel Dance Annual | 1983 | 116-109 |
| חדשות/ סטפס, צילום, מחול ערבי, אנה סוקולוב, וידיאו ועוד…… | | Hebrew | | | 62-67 |
| לוח מופעים של להקות בארץ וכן לוח סיורים של להקות ישראליות בחו”ל | רות אשל | Hebrew | | | 72-73 |
| גרטרוד קראוס הוינאית- בחיפוש אחר עקבות | | | Israel Dance Quarterly | 12 | |
| Why National Ballet – About Rina Nikova’s Biblical Ballet and Gertrud Kraus | Ze'ev Havazelet | Hebrew | Israel Dance Quarterly | 12 | 78 |
| Frug street 24, Tel-Aviv: Gertrud Kraus Studio | Noa Shapira | Hebrew | Israel Dance Quarterly | 12 | 79-81 |
| The pounds and pences of Gertrud Kraus | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 82-83 |
| HIilda Kesten talks about Gertrud Kraus | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 84-87 |
| The Body Remembers – The Batsheva Scandal in Jerusalem | Gaby Aldor | Hebrew | Israel Dance Quarterly | 13 | 6-7 |
| In Praise of Props – The Use of Props in Israeli Dance | Ruth Eshel | Hebrew | Israel Dance Quarterly | 13 | 8-15 |
| Rami Be’er Dance Props | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 13 | 16-21 |
| Israelis Dancing in London – About Yasmin Vardimon | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 13 | 26-27 |
| Grandma Always Danced | Giora Manor | Hebrew | Israel Dance Quarterly | 13 | 28-29 |
| Haifa Ballet: Adam Pasternak passed away | Ruth Eshel | Hebrew | Israel Dance Quarterly | 13 | 30-33 |
| The Israel Prize in Dance – Hasia Levi-Agron | Ruth Eshel | Hebrew | Israel Dance Quarterly | 13 | 34-36 |
| The Israel Prize in Dance -Yehudit Arnon | Giora Manor | Hebrew | Israel Dance Quarterly | 13 | 37-39 |
| Flourishing Talent Portrait – About Orna Kugel, the Ballerina of the Israeli Ballet | Yaron Margolin | Hebrew | Israel Dance Quarterly | 13 | 40-43 |
| Meryl Tankard – The Bausch’s Ambassador in Australia | Ora Brafman | Hebrew | Israel Dance Quarterly | 13 | 44-47 |
| London Under the Dance Umberella | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 13 | 48-49 |
| New Works by William Forsythe | Helmut Scheir | Hebrew | Israel Dance Quarterly | 13 | 50-53 |
| The Cloud Gate Leading to Modern Dance – Lyn Hway-Min’s Company in Taiwan | Giora Manor | Hebrew | Israel Dance Quarterly | 13 | 60-63 |
| From the critic’s desk: Giora Manor | Giora Manor | English | Israel Dance Quarterly | 9 | 137-141 |
| Curtain Up (Haramat Masach) and International Exposure at Suzanne Dellal, November 1997 | Giora Manor | English | Israel Dance Quarterly | 13 | 73-74 |
| In Memory of Batsheva de Rothschild | Giora Manor | English | Mahol Akhshav-Dance Today | 1 | 78 |
| Premieres: July- September 2000 | | Hebrew | Mahol Akhshav-Dance Today | 3 | 82-83 |
| In the footesteps of the Athenian tradition: Education for all – educational perception of dance and their reflections on the dancing school at Ga’aton | Ilana Laban | Hebrew | Mahol Akhshav-Dance Today | 5 | 42-43 |
| Premieres: April – June 2001 | ליאורה עמית | Hebrew | Mahol Akhshav-Dance Today | 6 | 68-71 |
| Premieres: July – October 2001 | Liora Amit | Hebrew | Mahol Akhshav-Dance Today | 7 | 60-61 |
| New Book: People Dancing: Dance, Society and Culture in Israel and the World | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 11 | 86 |
| I would like to speak about choreographic creation | Mirali Sharon | Hebrew | Mahol Akhshav-Dance Today | 12 | 27-29 |
| A cut diamond that has not lost its vitality – Interview with Talia Paz | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 12 | 30-34 |
| Song of My People – From Annihilation to Resurgence – About John Cranko’s Work for the Batsheva Dance Company | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 8 | 18-19 |
| Premieres: November 2001- March 2002 | | Hebrew | Mahol Akhshav-Dance Today | 8 | 28-29 |
| From the candle to the moving light – the development of stage lighting from the 16th to the 20th century | Dan Randler | Hebrew | Mahol Akhshav-Dance Today | 9 | 11-17 |
| International choreographic encounters in Saint Denis | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 9 | 44-48 |
| News | | Hebrew | Israel Dance Quarterly | 1 | 13-18 |
| New-York, New-York | Meira Eliash-Chain | Hebrew | Israel Dance Quarterly | 1 | 33-37 |
| Movement in real time – a photo exhibition by Eldad Baron of Yaron Margolin’s dance company | Naftlai Ironi | Hebrew | Israel Dance Quarterly | 2 | 37-40 |
| T.V Dance | Jean Lous Batist | Hebrew | Israel Dance Quarterly | 2 | 46 |
| Classical ballet is alive and kicking, but much changed | Germain Prudhomeau | Hebrew | Israel Dance Quarterly | 3 | 18-19 |
| What is all this jazz about | Jean Sabbatini | Hebrew | Israel Dance Quarterly | 4 | 15-17 |
| Fifty years to the first Dalia Dance Festival | Lea Goldberg | Hebrew | Israel Dance Quarterly | 4 | 54-55 |
| Curtain Up – The Harmat Masach 1994 Showcase | Giora Manor | Hebrew | Israel Dance Quarterly | 5 | 14-17 |
| Voguing – Dance as means of expressing communal identity | Galit Ben Zion | Hebrew | Israel Dance Quarterly | 5 | 26-29 |
| A Tribute to Moshe Sternfeld – The Late Stage Designer | Giora Manor, Oshra Elkayam, Ziona Peled, Rina Yerushalmi | Hebrew | Israel Dance Quarterly | 5 | 46-47 |
| The Virstky Dance Company – But What is Folklore | Yossi Tavor | Hebrew | Israel Dance Quarterly | 5 | 58-59 |
| S’adia Gush-Esh: A Yemenite Solosit | Zvi Friedhaber | Hebrew | Folk Dance Supplement | 1 | 10-11 |
| A New Direction at Karmiel Festival | Bracha Dudai & Yesraela Kahana | Hebrew | Folk Dance Supplement | 1 | 12 |
| Daniel Larrieu – A French Choreographer | Tamar Shbeck | Hebrew | Israel Dance Quarterly | 8 | 72-73 |
| The movement language of Yemenite Jews | Naomi Bahat Ratzon | Hebrew | Israel Dance Quarterly | 11 | 10-17 |
| Amos Hetz and his Room Dances | Shai Harlev | Hebrew | Israel Dance Quarterly | 13 | 56-59 |
| Words for Sara, Giora and Caj | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 13 | 92-94 |
| Before the Beginning – The Prehistory of the Kibbutz Dance Company | Ruth Eshel | English | Israel Dance Quarterly | 9 | 128-135 |
| Dance Opposite its Models – The Musical Model | Naftlai Ironi | Hebrew | Israel Dance Annual | 1989 | 176-171 |
| מפגשי מחול בשוויץ | אלאן ברנרד | Hebrew | | | 58-59 |
| מפנקסו של מבקר | גיורא מנור | Hebrew | | | 60-65 |
| ספרים מרקדים: איך לכתוב על נושאים מרתקים בצורה שאיש לא יבין; השאלה הנצחית – הרקדן הגבר; ילדיה של איזדורה דנקן; אימפרוביזציה בתנועה | גיורא מנור, הניה רוטנברג | Hebrew | | | 62 |
| ספרים מרקדים | גיורא מנור | Hebrew | | | 54-55 |
| מפנקסו של מבקר | גיורא מנור | Hebrew | | | 66-71 |
| רות אשל משוחחת עם יהודית ארנון | רות אשל | Hebrew | | | 104-108 |
| ספרים מרקדים | גיורא מנור | Hebrew | | | 50-51 |
| מפנקסו של מבקר | גיורא מנור | Hebrew | | | 56-62 |
| ספרים מרקדים | גיורא מנור | Hebrew | | | 28-30 |
| In Touch with the Year 2000 | Ruth Eshel | Hebrew | Israel Dance Quarterly | 7 | 9-11 |
| Fact and Fiction – The Israeli Ballet | Ruth Eshel | English | Israel Dance Quarterly | 7 | 67-71 |
| Mark the Magician – An Interview with Mark Morris | Jeannette Rozman | Hebrew | Israel Dance Quarterly | 7 | 20-23 |
| Dancing Books | Giora Manor | Hebrew | Israel Dance Quarterly | 7 | 24-27 |
| Rami Be’er for Danish Bodies | Ann Flindt Chirstensen | Hebrew | Israel Dance Quarterly | 7 | 28-29 |
| Dancing Dutch | Giora Manor | Hebrew | Israel Dance Quarterly | 7 | 30- 33 |
| News | | Hebrew | Israel Dance Quarterly | 7 | 34-44 |
| רוקדים בברלין | Norbert Servos | | Israel Dance Quarterly | 7 | |
| From Basketball to Vienese State Ballet via Stuttgart – Robert Zanela and the Stuttgart Ballet | Giora Manor | Hebrew | Israel Dance Quarterly | 7 | 48-49 |
| Herald Kreuzberg – Exhibition | Giora Manor | Hebrew | Israel Dance Quarterly | 7 | 50-51 |
| From Reality to Myth – Shai Abadi’s Nijinsky Exhibition at the Israel Dance Library | Giora Manor | Hebrew | Israel Dance Quarterly | 7 | 52-53 |
| Great Mansions -Big Stages | Galit Ben Zion | Hebrew | Israel Dance Quarterly | 7 | 54 |
| Process and forecast of Israeli Folk dance | Dan Ronen | Hebrew | Folk Dance Supplement | 1 | 3-6 |
| A Wedding as an Image of Folklore and Inspiration for Staging | Rina Sharet | Hebrew | Folk Dance Supplement | 1 | 7-8 |
| About Gurit Kadman | Sara Levi-Tanai | Hebrew | Folk Dance Supplement | 1 | 13-15 |
| Memories of Gila Toledano – one of the first folk dance teachers | Gila Toledano | Hebrew | Folk Dance Supplement | 2 | 3 |
| The Similar and the Difference – Folk Dance Revival in Ireland | Giora Manor | Hebrew | Folk Dance Supplement | 2 | 4-5 |
| Early Holiday Dances and Public Celebration – The Forming of a Tradition | Zvi Friedhaber | Hebrew | Folk Dance Supplement | 2 | 6-8 |
| Duality in Israeli Folk Dance and Couple Dances | Yossi Zeider | Hebrew | Folk Dance Supplement | 2 | 9 |
| Thirty Years of Hora Yerushalaim | Bracha Dudai & Yesraela Kahana | Hebrew | Folk Dance Supplement | 2 | 10-15 |
| Meeings of the Dancing Kind – Karmiel Between Past and Future | Bracha Dudai & Yesraela Kahana | Hebrew | Folk Dance Supplement | 3 | 3-6 |
| The Karmiel Festival Towards its Second Decade | Yonatan Karmon | Hebrew | Folk Dance Supplement | 3 | 7-8 |
| Jochen Shmidt’s review of fetival Karmiel | Jochen Shmidt | Hebrew | | | 9 |
| Zero in Choreography | Giora Manor | Hebrew | Folk Dance Supplement | 3 | 10 |
| Composition: Spatial Movement Design | Ruth Eshel | Hebrew | Folk Dance Supplement | 3 | 11 |
| African Dance | Alexander Schwan | Hebrew | Folk Dance Supplement | 3 | 13-16 |
| Folk Dance in Israel – 100 Years of Zionism in Dance | Zvi Friedhaber | Hebrew | Folk Dance Supplement | 4 | 3-16 |
| House Stories – The House of Gurit Kadman | Bracha Dudai & Yesraela Kahana | Hebrew | Folk Dance Supplement | 5 | 3 |
| A Present View of Yesterday – On Gurit Kadman and Israeli Folk Dance | Ayala Goren Kadman | Hebrew | Folk Dance Supplement | 5 | 4--6 |
| Dreaming and Dancing – About Gurit Kadman | Dan Ronen | Hebrew | Folk Dance Supplement | 5 | 10-14 |
| A Portrait of Gurit Kadman | Zvi Friedhaber | Hebrew | Folk Dance Supplement | 5 | 15-16 |
| Dancing in the Forest – Shalom Hermon | Ruth Eshel | Hebrew | Israel Dance Quarterly | 2 | 22-23 |
| Israeli Summer | Yael Efrati | Hebrew | Israel Dance Quarterly | 2 | 22 |
| Choreographers Talking: Rami Be’er and Ohad Naharin Meet | Giora Manor | Hebrew | Israel Dance Quarterly | 8 | 6-11 |
| Bread, Butter and Dance – Israeli Choreographers Co-operate to Reduce Expenses | Shai Harlev | Hebrew | Israel Dance Quarterly | 8 | 12-15 |
| What Makes Ido Tadmor Run | Gal Alster | Hebrew | Israel Dance Quarterly | 8 | 16-19 |
| Form and Content and What’s Between | Ruth Eshel | Hebrew | Israel Dance Quarterly | 8 | 20-25 |
| Twyla Tharp at the Royal Ballet | John Percival | Hebrew | Israel Dance Quarterly | 8 | 26-29 |
| Stage Lighting | Judy Kuperman | Hebrew | Israel Dance Quarterly | 8 | 42-45 |
| Let’s banish the darkness – light design for dance | Giora Manor | Hebrew | Israel Dance Quarterly | 8 | 46-47 |
| In memory of the dance photographer Yaakov Agor | Giora Manor & Eldad Baron | Hebrew | Israel Dance Quarterly | 8 | 48-49 |
| The Last Giant of American Dance Films | Giora Manor | Hebrew | Israel Dance Quarterly | 8 | 50-53 |
| Alfred Schnittke – a composer for dancing | Helmut Scheir | Hebrew | Israel Dance Quarterly | 8 | 54-57 |
| Libido and Temptation – Three Spanish Choreographers | Norbert Servos | Hebrew | Israel Dance Quarterly | 8 | 58-61 |
| Gigi Caciuleanu – Interview by Yossi Tavor | Yossi Tavori | Hebrew | Israel Dance Quarterly | 8 | 64-67 |
| The Prague Chamber Ballet | Jana Hoelnova | Hebrew | Israel Dance Quarterly | 8 | 68-71 |
| From a Dance Critic’s Desk | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 70-72 |
| Coppelia” – Maguy Marin version of the old story” | Michal Eisenstaat | Hebrew | Israel Dance Quarterly | 9 | 6-9 |
| Rehearsal Directors About their Work | Sivan Pastman Cohen & Rena Gluck | Hebrew | Israel Dance Quarterly | 9 | 10-13 |
| Montpellier Dance Festival 1996 | Ruth Eshel | Hebrew | Israel Dance Quarterly | 9 | 14-17 |
| In search of new dance – Europe spring 1996 | Giora Manor | Hebrew | Israel Dance Quarterly | 9 | 18-25 |
| The fighters of the streets of New York – Break Dance | Yaron Margolin | Hebrew | Israel Dance Quarterly | 9 | 38-43 |
| Mutual relations – Israeli dancers co-operate | Gal Alster | Hebrew | Israel Dance Quarterly | 9 | 44-45 |
| Matz Ek wakes the Sleeping Beauty | Helmut Scheir | Hebrew | Israel Dance Quarterly | 9 | 46-47 |
| Slavonic Dances New Style | Giora Manor & Yossi Zaider | Hebrew | Israel Dance Quarterly | 9 | 48-53 |
| The “Mitzva Tanz” – The Original and Traditions of Jewish Wedding Dances | Zvi Friedhaber | Hebrew | Israel Dance Quarterly | 9 | 56-61 |
| Ballet in Russian Operas | Ada Dobrovtzki | Hebrew | Israel Dance Quarterly | 9 | 62-65 |
| A Quarter of a Century of Kibbutz Dance Creation | Giora Manor | English | Israel Dance Quarterly | 9 | 123-127 |
| The Useen Ones – The People behind the Scenes | Eran Shahar | Hebrew | Israel Dance Quarterly | 9 | 96-100 |
| Thte Ga’aton School – Something Unique | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 9 | 101-103 |
| 1970 – 1996 List of Works of the Kibbutz Contemporary Dance Company | Giora Manor | English | Israel Dance Quarterly | 9 | 116-122 |
| Political Dance | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 6-13 |
| To Dance with the Times – The Arab-Israeli Conflict as it appears in Israeli Dance | Ruth Eshel | Hebrew | Israel Dance Quarterly | 10 | 74-77 |
| London Swans | Yossi Tavor | Hebrew | Israel Dance Quarterly | 10 | 22-25 |
| Third International Suzanne Dellal Dance Competition | Shai Harlev | Hebrew | Israel Dance Quarterly | 10 | 26-29 |
| Ehad-HaAm street 42 – The Dancing Orensteins | Gaby Aldor | Hebrew | Israel Dance Quarterly | 10 | 30-33 |
| Israeli dance companies in 1995 – a statistic review | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 34-35 |
| Two women- Two dancers | Ze'eva Cohen | Hebrew | Israel Dance Quarterly | 10 | 36-37 |
| International Dance Congress in Australia | Ou Jian Ping | Hebrew | Israel Dance Quarterly | 10 | 44-45 |
| Dancing Books | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 46-47 |
| European Dance – Autumn 1996 | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 48-55 |
| Curtain Up 1996 & International Exposure | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 69 |
| Boris Eifman and his Red Giselle | Yossi Tavori | Hebrew | Israel Dance Quarterly | 10 | 58-61 |
| The Critic’s Review: Giora Manor | Giora Manor | Hebrew | Israel Dance Quarterly | 10 | 62-68 |
| Gvanim BeMahol (Dance Hues) – A Showcase of Young Israeli Choreogrpahers | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 6-9 |
| Gaite Israelienne – Jewish Joy in Rambert Dance Company | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 11 | 18-19 |
| A New Broom at the Zurich Ballet | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 20-21 |
| Interview with General Directors of the Batsheva and Kibbutz Dance Companies | Shai Harlev | Hebrew | Israel Dance Quarterly | 11 | 22-25 |
| Paradis in Boxes” – A New Dance by Itzik Galili” | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 26-27 |
| The Same Dances in Different Costumes | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 34 |
| Dance Costumes Design in Israel | Ruth Eshel | English | Israel Dance Quarterly | 11 | 79-83 |
| Interview with Costume Designer Rakefet Levi | Ruth Eshel | Hebrew | Israel Dance Quarterly | 11 | 39 |
| Costumes that are part of the dance | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 40-43 |
| Costume Designer Athalia Ben Menahem: To Dress Women and Men | Atalia Ben Menahem | Hebrew | Israel Dance Quarterly | 11 | 44-45 |
| Daddy, I’am dancing nude | Yaron Margolin | Hebrew | Israel Dance Quarterly | 11 | 46-47 |
| Young dancers in mature works in the Stuttargt Ballet | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 48-49 |
| The Ballet Teacher Mia Arbatova | Ruth Eshel | Hebrew | Israel Dance Quarterly | 11 | 52-53 |
| Mia Arbatova Ballet Competition 1997 | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 54-55 |
| Israel Dance Quarterly Index 1-15 | Giora Manor | English | Israel Dance Quarterly | 11 | 76-77 |
| And How is Israel Dance Feeling Today – 1997 | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 6-9 |
| The Other is not yet Born – An Evaluation of Israel Dance | Gaby Aldor | Hebrew | Israel Dance Quarterly | 12 | 10-11 |
| Meeting Angelin Preljokaj – An Interview | Naomi Perlov | Hebrew | Israel Dance Quarterly | 12 | 12 |
| A Princess in Trouble and Swans in London | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 12 | 13 |
| Vertigo Dance Company – 5 Years of Creativity | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 14-17 |
| And What shall Become of Bat-Dor | Ruth Eshel | Hebrew | Israel Dance Quarterly | 12 | 18-21 |
| Theatrical Dance or Movement Theatre | Roger Copeland | Hebrew | Israel Dance Quarterly | 12 | 22-27 |
| Montpelleir Festival 1997 | Shosh Avigail | Hebrew | Israel Dance Quarterly | 12 | 31-33 |
| We belong to Dream-time – Dance of the Aborigines in Australia | Moshe Kedem | Hebrew | Israel Dance Quarterly | 12 | 34-41 |
| Meet David Golfilil – An Aborigin Dancer | Moshe Kedem | Hebrew | Israel Dance Quarterly | 12 | 42-43 |
| William Forsythe – A Choreographer in a Cul-de-sac | Gal Alster | Hebrew | Israel Dance Quarterly | 12 | 44-47 |
| SHINNING BIRDS OVER TAKSIM SQUARE – BALLET IN TURKEY | GIORA MANOR | Hebrew | | | 48-50 |
| News | | Hebrew | Israel Dance Quarterly | 12 | 51-53 |
| The Spirit of the Flesh – About the Chollmondeley – London | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 12 | 54-57 |
| Past, Present and Future of the Buoth | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 58-60 |
| Kazuo Ohno performs in Berlin | Jochen Shmidt | Hebrew | Israel Dance Quarterly | 12 | 61 |
| Dance Photography – An Attempt at the Impossible | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 62-65 |
| From a Critic’s Desk: Giora Manor | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 66-71 |
| Gertrud Kraus – Doyenne of Israel Modern Dance | Giora Manor | Hebrew | Israel Dance Quarterly | 12 | 72-73 |
| יש עם מי לרקוד – הרמת מסך 1993 | גיורא מנור | Hebrew | | | 34-35 |
| חדשות – חדשות – חדשות | גיורא מנור, ציפי פליישר, גבי אלדור, אביבה הבר | Hebrew | | | 26-35 |
| חדשות – כנסים ומפגשי מחול בעולם | גיורא מנור | Hebrew | | | 43 |
| ספרים מרקדים: טוויילה טארפ – רקדנית עם שכל, אריק הוקינס, מרס קאנינגהם בעיני בני-דורו | גיורא מנור | Hebrew | | | 42-43 |
| ספרים מרקדים – הגוף המטאפורי | יוסי זיידר | Hebrew | | | 43 |
| ספרים מרקדים : גוליאמו – היהודי מפסארו | גיורא מנור | Hebrew | | | 44-45 |
| ספרים מרקדים | גיורא מנור | Hebrew | | | 60-61 |
| מיפגשים, פסטיבלים וקונגרסים | גיורא מנור | Hebrew | | | 48 |
| ספרים מרקדים | גיורא מנור | Hebrew | | | 56-57 |
| עשרים שנה למלכותו של קיליאן הראשון | גיורא מנור | Hebrew | | | 64-67 |
| מפנקסו של מבקר | גיורא מנור | Hebrew | | | 71-72 |
| Karmiel Dance Festival 2002 | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 9 | 38-39 |
| The Uzes dance festival | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 9 | 40-43 |
| Premieres: April – June 2002 | | Hebrew | Mahol Akhshav-Dance Today | 9 | 49-51 |
| Fear – Curtain Up Festival 2002 | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 10 | 2-3 |
| Vera Goldman – An Ehtnogrpaher of Dance | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 10 | 4-9 |
| The Great Revolt and the Return to the Roots: The Influence of Ausdruckstanz on Movement Theater in Israel | Ruth Eshel | English | Mahol Akhshav-Dance Today | 10 | 50-55 |
| Where to Dance Instruction? Dance Teachers’ Career Patterns | Yael Muskuna | Hebrew | Mahol Akhshav-Dance Today | 10 | 18-21 |
| A Non-Nostalgic View of Egon Schille | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 10 | 22-26 |
| Between Stravinsky and Kylian – An Interpretation of the Dance “Symphony of Psalms | Moshe Kedem | Hebrew | Mahol Akhshav-Dance Today | 10 | 27-33 |
| Ruthi Tamir – In Pantomime is a Story Behind Every Look | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 10 | 34-35 |
| Is there a culture policy in Israel? Policy and criteria in budget allocations for dance | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 10 | 41-43 |
| Festivals: Meg Stuart – Dance as Transit Station | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 10 | 44-45 |
| Is 1992 a year of Transition? Interview with Artistic Directors of the Leading Dance Companies in Israel | Ruth Eshel | English | Israel Dance Quarterly | 1 | 60-63 |
| Israeli Set Designer Dani Karavan Describes his Work for Martha Graham | Dani Karavan | Hebrew | Israel Dance Quarterly | 1 | 20-21 |
| The great Russian choreographer Michail Fokine met Martha Graham in 1931 – extraits from that meeting | Michail Fokine | Hebrew | Israel Dance Quarterly | 1 | 22-23 |
| The heritage of Martha Graham – about the book of Agnes de Mille | Giora Manor | Hebrew | Israel Dance Quarterly | 1 | 24-25 |
| Nureyev’s Last Leap | Giora Manor | Hebrew | Israel Dance Quarterly | 1 | 28-32 |
| Iloyd Newson’s Strange Fish | Giora Manor | Hebrew | Israel Dance Quarterly | 1 | 26-27 |
| Israelis Abroad | Rado Klaper | Hebrew | Israel Dance Quarterly | 1 | 38-39 |
| To night we dance history – the history of Israel from 1920 to our day is depicted through the changes in social dancing coffee house in Jaffa | Gaby Aldor | Hebrew | Israel Dance Quarterly | 1 | 40-43 |
| Conquering the World with the Yemenite Tin-drum – About Amaka-Oshrat Dance Troupe | Ruth Ashkenazi | English | Israel Dance Quarterly | 1 | 58-59 |
| Jury, jury in the hall – who is the fairest of them all? The first international competition,Warsaw, 1993 and some of the Jewish dancers | Giora Manor | Hebrew | Israel Dance Quarterly | 1 | 56-57 |
| Choreographers of the World – Unite | Ruth Eshel | Hebrew | Israel Dance Quarterly | 1 | 51 |
| Formalism: Three Decades of Post-modern Dance | Roger Copeland | Hebrew | Israel Dance Quarterly | 1 | 52-55 |
| Dancing into the Abyss – An exhibition about modern dance in the early years of the Third Reich in Berlin during the Nazi regime | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 64-65 |
| From isolation to openness – recent development in dance in the former D.D.R | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 10-12 |
| Germany’s Guilt – The Political Theatre of Hans Kresnik at Bremen | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 13-15 |
| News | | Hebrew | Israel Dance Quarterly | 2 | 16-24 |
| Heavy Dancers – Workng with Mentaly Retarded Dancers | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 66 |
| Dancing with Papa – About Handicapped Dancers | Itzik Weingerten | Hebrew | Israel Dance Quarterly | 2 | 26-28 |
| Flowers and Hearts – Dancing with Handicaped Children | Raya Spivak | Hebrew | Israel Dance Quarterly | 2 | 29 |
| The Art of Dance in Hong Kong | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 2 | 30-32 |
| Gevanim BeMahol – Hues in Dance, 1993 | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 32-33 |
| Dancing Books | Giora Manor | Hebrew | Israel Dance Quarterly | 11 | 34 |
| Barefoot” – Ora Brafmans’s film about Sara Levi-Tanai” | Sara Levi-Tanai | Hebrew | Israel Dance Quarterly | 2 | 35 |
| Maya Plisetskaya creating the role of the “Mad Woman of Chaillot”, Rennes, France | Rado Klaper | Hebrew | Israel Dance Quarterly | 2 | 36 |
| Ze’ev Havazelet – The Silver Grapefruit | Ziv Frenkl | Hebrew | Israel Dance Quarterly | 2 | 40 |
| A Flowing Fountain – Ze’ev Havazelet | Moshe Kedem | Hebrew | | | 41-42 |
| Unisono – Advantages and Dangers | Gal Alster | Hebrew | Israel Dance Quarterly | 2 | 50-51 |
| Shoulder Dance – The Ethnic Dance of Ethiopian Jews in Israel | Ruth Eshel | English | Israel Dance Quarterly | 2 | 68-71 |
| Romeo and Julia’s 80th birthday – new development in dance in the Czek Republic | Giora Manor | Hebrew | Israel Dance Quarterly | 2 | 57-58 |
| Israeli folk dance between folklore and entertainment | Zvi Friedhaber | English | Israel Dance Quarterly | 2 | 60-61 |
| Modern dance education at the close of the 20th century | Ruth Eshel | English | Israel Dance Quarterly | 3 | 61-64 |
| Quick as Lizzards – Wim Vanderceybus Dance Company | Ronit Land | Hebrew | Israel Dance Quarterly | 3 | 11-12 |
| The Dancer’s Work – Three Models | George Russel | Hebrew | Israel Dance Quarterly | 3 | 12-15 |
| Ballet Education in Israel – Interview wth Nira Paz | Rado Klaper | Hebrew | Israel Dance Quarterly | 3 | 16-17 |
| Dancing with Handicapes | Haya Zur | Hebrew | Israel Dance Quarterly | 3 | 20- 25 |
| Psychotherapy and Choreogrpahy | Yossi Zeider | Hebrew | Israel Dance Quarterly | 3 | 26-27 |
| Capoeira – movement from another world | Gal Alster | Hebrew | Israel Dance Quarterly | 3 | 28-30 |
| Portrait: Rami Be’er – The Humane Diapason | Giora Manor | Hebrew | Israel Dance Quarterly | 3 | 31-33 |
| Is an open mind dangerous to dance? – Israeli choreographer Yaron Margolin considers questions about dance that affects his work | Yaron Margolin | Hebrew | Israel Dance Quarterly | 3 | 36-37 |
| Encounters in Finland | Natan Mishori | Hebrew | Israel Dance Quarterly | 3 | 38-39 |
| A Tradition of Contemporary Choreography: Nederland-Israel | Eva va Schaik | Hebrew | Israel Dance Quarterly | 3 | 40-42 |
| Nik the Wizzard – Alwin Nikolais 1912-1993 | Giora Manor | Hebrew | Israel Dance Quarterly | 3 | 43-35 |
| Stuttgart – a breading place for choreographers | Horst Koegler | Hebrew | Israel Dance Quarterly | 3 | 46-48 |
| Shcriftanz- German and English publications on the magazine | Giora Manor | Hebrew | Israel Dance Quarterly | 3 | 59-60 |
| The dancer from Dan – A dancing sculpture in the archaeoclogy site of Dan in North Israel | Zvi Friedhaber | Hebrew | Israel Dance Quarterly | 3 | 51 |
| Jewish Dance Traditions through the Ages – Jewish Dance in the Mishna-Talmudic Period- part I | Zvi Friedhaber | English | Israel Dance Quarterly | 3 | 56-57 |
| The Aesthetics of Stage Violence | Giora Manor | Hebrew | Israel Dance Quarterly | 3 | 54-56 |
| Hundred Years of Dance in America | Dovik Ashdot | Hebrew | Israel Dance Quarterly | 4 | 6-9 |
| The Wonderful Journey of Ruth Ziv-Ayal: Portrait of a Choreographer | Giora Manor | Hebrew | Israel Dance Quarterly | 4 | 10-14 |
| Real Love – Frank Andersen leaves the post of artistic director of the Royal Danish Ballet | Ann Flindt Chirstensen | Hebrew | Israel Dance Quarterly | 4 | 18-19 |
| Order and Disroder – Slam Dance | Robert Grosman | Hebrew | Israel Dance Quarterly | 4 | 20-25 |
| Chinese on Pointe | Henia Rottenberg | Hebrew | Israel Dance Quarterly | 4 | 36-39 |
| Montpellier Dance Festival 1994 | Giora Manor | Hebrew | Israel Dance Quarterly | 4 | 40-41 |
| Jewish Dance Traditions through the Ages – Dance in the Jewish Communities in Italy During and After the Renaissance – part two | Zvi Friedhaber | English | Israel Dance Quarterly | 4 | 116-117 |
| Chris Bruce Returnes to Ballet Rambert | Giora Manor | Hebrew | Israel Dance Quarterly | 4 | 48-49 |
| Fifty Years to the First Dalia Folkdance Festival | Dan Ronen | Hebrew | Israel Dance Quarterly | 4 | 122-123 |
| Batsheva Dance Company – The Flagship of Modern Dance in Israel 1964-1994 | Giora Manor | Hebrew | Israel Dance Quarterly | 4 | 106-111 |
| The founder meet and talk – veteran dancers of Batsheva remember early days | Natan Mishori | Hebrew | Israel Dance Quarterly | 4 | 70-79 |
| Batsheva Turns 30 – The Israeli Set Designer describes some of the Important Works in the Repertoire of the Company | Dani Karavan | Hebrew | Israel Dance Quarterly | 4 | 80-83 |
| Batsheva and its’ Israeli choreographers | Ruth Eshel | Hebrew | Israel Dance Quarterly | 4 | 84-91 |
| Ohad Naharin Talks to Gaby Aldor | Gaby Aldor | English | Israel Dance Quarterly | 4 | 104-105 |
| Repertoire – Batsheva Dance Company 1964 -1994 | Giora Manor | English | Israel Dance Quarterly | 4 | 99-101 |
| The Art of Performing | Ruth Eshel | English | Israel Dance Quarterly | 5 | 82-87 |
| Stephan Thoss – The Rising Star of Dresden Ballet | Ronit Land | Hebrew | Israel Dance Quarterly | 5 | 18-20 |
| The phone range three times – a dancer’s return after injury | Yossi Zeider | Hebrew | Israel Dance Quarterly | 5 | 21 |
| International Dance Competition – Suzanne Dellal 1994 | Giora Manor | Hebrew | Israel Dance Quarterly | 5 | 22-25 |
| Itzik Galili – A European Success | Gal Alster | Hebrew | Israel Dance Quarterly | 5 | 30-33 |
| Moderchai Seter – A Composer for Dancers | Hanoch Ron | Hebrew | Israel Dance Quarterly | 5 | 34-37 |
| NEWS HERE AND THERE | GIORA MANOR | Hebrew | | | 38-43 |
| Modern Dance in Russia | Elena Tchernisheva | Hebrew | Israel Dance Quarterly | 5 | 48-49 |
| Pioneers of Expressionism in the Tel Aviv and the Yishuv | Zvi Friedhaber | Hebrew | Israel Dance Quarterly | 5 | 50-53 |
| The Secret of the Stuttgart Charm | Giora Manor | Hebrew | Israel Dance Quarterly | 5 | 54-57 |
| Jewish Dance Tradition – Dances in the Jewish Communities in the Ottoman Empire and Eretz-Israel – part 3 | Zvi Friedhaber | English | Israel Dance Quarterly | 5 | 88-89 |
| Wudao 1994 – A Summer of Dance in Beijng | Ruth Eshel | Hebrew | Israel Dance Quarterly | 5 | 66-69 |
| Modern Dance in China | Ou Jian Ping | Hebrew | Israel Dance Quarterly | 5 | 70-73 |
| Other Chinese Dancing – A Visit to Taiwan | Giora Manor | Hebrew | Israel Dance Quarterly | 5 | 74-77 |
| Alone and Together – The Work of Liat Dror and Nir Ben-Gal | Giora Manor | Hebrew | Israel Dance Quarterly | 6 | 6-14 |
| Black Swans and Whirling Dervishes | Roger Copeland | Hebrew | Israel Dance Quarterly | 6 | 15-17 |
| Irek Muchamedov – Interview with the Russian Danseur Noble of the Royal Ballet | Yossi Tavor | Hebrew | Israel Dance Quarterly | 6 | 18-21 |
| The Search of Inner Light – A Portrait of the Late Erick Hawkins | Dovik Ashdot | Hebrew | Israel Dance Quarterly | 6 | 26-29 |
| Ballet in Russia: Grigoreivich vs/ Vasiliev | Natalia Cherova | Hebrew | Israel Dance Quarterly | 6 | 30-31 |
| Dance in Eastern Europe Today | Alan Bernard | Hebrew | Israel Dance Quarterly | 6 | 32-35 |
| A Lot of Nutcrackers | Michal Eisenstaat | Hebrew | Israel Dance Quarterly | 6 | 38-41 |
| News | Giora Manor & Henia Rottenberg & Pnina Rosenberg & Gal Alster | Hebrew | | | 42-48 |
| About Israeli Songs and Folk Dance | Zippi Fleischer | Hebrew | Israel Dance Quarterly | 6 | 53 |
| Ballet is my Mother Tongue – Gal Alster talks with William Forsythe | Gal Alster | Hebrew | Israel Dance Quarterly | 6 | 54-55 |
| Dances of the Dammed – Choreographers Banished by the Nazis | Andrea Amort | Hebrew | Israel Dance Quarterly | 6 | 58-59 |
| The Pilates Method | Ela Bar-David | Hebrew | Israel Dance Quarterly | 6 | 60-61 |
| Power of Weakness” – Edward the Second by David Bintly in Stuttgart Ballet” | Giora Manor | Hebrew | Israel Dance Quarterly | 6 | 62-63 |
| State Ballet School – Pleasant Suprise in Berlin | Giora Manor | Hebrew | Israel Dance Quarterly | 6 | 68-69 |
| One Foot Above the Earth – Hassidic Dance in the Words of Sages | Zvi Friedhaber | Hebrew | Israel Dance Quarterly | 6 | 70-72 |
| The Noble Savage from Jerusalem – The 20 Years of Moshe Efrati’s Company | Giora Manor | Hebrew | Israel Dance Quarterly | 6 | 76-78 |
| KolDemama as Personal Experience by Moseh Efrati’s Designer | Moshe Ben Shaul | Hebrew | Israel Dance Quarterly | 6 | 79-80 |
| The Specific in the Universal – Efrati’s Aesthetic | Ruth Eshel | English | Israel Dance Quarterly | 6 | 96-98 |
| Efrati and the Humane Voice | Ester Nadler | Hebrew | Israel Dance Quarterly | 6 | 85-87 |
| KolDemama Future Plans | Arie Yass | Hebrew | Israel Dance Quarterly | 6 | 88-89 |
| Such a kind by Noam Sheriff about Moshe Efrati – friend, composer, conductor | Noam Sherif | Hebrew | Israel Dance Quarterly | 6 | 90-91 |
| Moshe Efrati List of Works 1969 -1994 | | Hebrew | Israel Dance Quarterly | 6 | 92-93 |
| Hues in Dance” Festival (Gvanim Bemahol) 1995″ | Giora Manor | Hebrew | Israel Dance Quarterly | 6 | 22-25 |
| Choreography in Virtual Reality | Yaakov Sharir & Diana Gramola | Hebrew | Israel Dance Quarterly | 7 | 6-8 |
| דורית שמרון – לכבוש את הבמה, לכבוש את העולם | מאיה בהיר | Hebrew | | | 42-45 |
| חדשות | | Hebrew | | | |
| The Magic of Mystery – How is Dance Created | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 6 | 14-19 |
| …..Creativity is | Erica Landau | Hebrew | Mahol Akhshav-Dance Today | 6 | 20-25 |
| Being a Choreographer is Difficult | Sofia Naharin | Hebrew | Mahol Akhshav-Dance Today | 6 | 26-27 |
| “Behold the Monster Within Us – On the Creative Process of the “End of Innocence | Alice Dor Cohen | Hebrew | Mahol Akhshav-Dance Today | 6 | 28-33 |
| I saw God dance from you and towards you – From the Diary of Roni Segal | Roni Segal | Hebrew | Mahol Akhshav-Dance Today | 6 | 34-39 |
| Exploration of the body and profound consciousness – a creative workshop with choreographer Noa Dar | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 6 | 40-41 |
| Working in Layers – Text and Movement: A Creative Workshop with Amir Kolben | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 6 | 42-43 |
| Teaching the Unteachable – The Choreograph Teachers’ Role | Siki Kol | Hebrew | Mahol Akhshav-Dance Today | 6 | 44-45 |
| Here are latent creative forces in every person – on teaching creativity in Israel in the folkdance community | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 6 | 46-52 |
| Allowing things to flow – on the creative process | Oshra Elkayam Ronen | Hebrew | Mahol Akhshav-Dance Today | 6 | 53-54 |
| Pushkin and the Israel Ballet | Maya Bahir | Hebrew | Mahol Akhshav-Dance Today | 6 | 54-57 |
| What the body cannot do and what the soul requires – Veritgo dance company and Adam Benjamin create with cripple dancers | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 6 | 58-61 |
| The Russian “Hamlet” of Boris Eifman | Yossi Tavori | Hebrew | Mahol Akhshav-Dance Today | 6 | 74-75 |
| Without Words: Nacho Duato’s new dance | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 6 | 78-79 |
| Festival all Over: Spanish Surrealism – The Annual Valenci Fance Festival | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 6 | 80-81 |
| Poland, not in black and white – Dance festival in Bitton | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 6 | 82-85 |
| Hassia Levi-Agron: Expressing the Sun and the Stars in Movement | Talia Perlstein-Kaduri | Hebrew | Mahol Akhshav-Dance Today | 7 | 64-71 |
| Ballet Rambert is 75 years old | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 7 | 16-21 |
| Knowing the dance history | Thiya Reisman | Hebrew | Mahol Akhshav-Dance Today | 7 | 22-27 |
| Hora Jerusalem Dance Company as a Parable | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 7 | 28-33 |
| Watching Hora: The Jerusalem Companies | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 7 | 34-35 |
| Relations Between the Arts | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 7 | 36-41 |
| Sonia d’Orleans Juste – Now I feel my dark side bursting | Maya Bahir | Hebrew | Mahol Akhshav-Dance Today | 7 | 46-47 |
| Pleasure in Movement – About Ohad Naharin’s GAGA | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 7 | 48-49 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 7 | 50-56 |
| New Dance Books in the European Commom Market | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 7 | 62-63 |
| Rina Shaham has departed | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 11 | 4-6 |
| Sixty Years to the First Dalia Festival, 1944-2004: Changes in Israeli Folk Dance | Dina Roginsky | English | Mahol Akhshav-Dance Today | 11 | 94-99 |
| Dance is | Liat Dror | Hebrew | Mahol Akhshav-Dance Today | 11 | 31-33 |
| Susan Langer – Expression and Feeling in Dance | Ester Nadler | Hebrew | Mahol Akhshav-Dance Today | 11 | 34-38 |
| The Arab-Israeli Conflict in the Dances of Amir Kolben, Rami Be’er and Ohad Naharin – From a Presentation of the Narrative to its Deconstruction | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 11 | 39-45 |
| Dance Hothouses for Independent Creators | Eran Baniel | Hebrew | Mahol Akhshav-Dance Today | 11 | 46-47 |
| Dance in Fine Literature – Personal Testimony and Social Significance | Naomi Bahat Ratzon | Hebrew | Mahol Akhshav-Dance Today | 11 | 48-54 |
| Premieres December 2003- June 2004 | אורנית מרק | Hebrew | | | 55-60 |
| Those Who Didn’t Dance – About Dance Patrons | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 11 | 61-67 |
| Thougths on Preparation | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 11 | 68-71 |
| Dance Education in the 21th Century | Miriam Ruskin Berger | Hebrew | Mahol Akhshav-Dance Today | 11 | 72-74 |
| Folk Dance as Inspiration for Concert Dance | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 11 | 75-81 |
| News | | Hebrew | | | 82-86 |
| The “Outlandish” Fring of the Montpellier Festival | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 11 | 87-91 |
| Fifteen Years to “Curtain Up” – Haramat Masach | Nily Cohen | Hebrew | Mahol Akhshav-Dance Today | 12 | 5-6 |
| Thoughts on “Curtain Up” – Haramat Masach 2004 | Ruth Eshel | English | Mahol Akhshav-Dance Today | 12 | 92-94 |
| Curtain Up (Haramat Masach) Encounter | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 12 | 10-16 |
| Questioning Every Achievement – Interview with Francesca Spinazzi | Eran Baniel | Hebrew | Mahol Akhshav-Dance Today | 12 | 17-19 |
| Mirali Sharon: Dance is a unique entity of life | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 12 | 20-26 |
| Text adaptation – “The Rite of Spring” by Emanuel Gat | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 12 | 35- 39 |
| Thoughts on what is the essence in classical ballet teaching | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 12 | 40-43 |
| Pina Bausch’s Cafe – Alientation in Dance | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 12 | 44-47 |
| 2002-2003 :Premieres | Ornit Mark | Hebrew | Mahol Akhshav-Dance Today | 12 | 48- 50 |
| בכורות: יולי – דצמבר 2004 | אורנית מרק | Hebrew | | | 51-55 |
| “The Innermost Heart of Mats Ek’s “Apartment | Sari Elron | Hebrew | Mahol Akhshav-Dance Today | 12 | 62-65 |
| Thirty years to Yemenite-Israeli Amka Dance Group | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 12 | 71-75 |
| Belly Dance: Orientalism, Exoticism and Self Exoticism | Dina Roginsky | Hebrew | Mahol Akhshav-Dance Today | 12 | 76-80 |
| The 18th Congress of Dance Research – le conseil international de la danse – CID | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 12 | 81-84 |
| Lyon – Europe the 11th Dance Biennial | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 12 | 85-91 |
| Concepts of the body in contemporary dance | Gavrielle Brandstatter | Hebrew | Mahol Akhshav-Dance Today | 13 | 9-12 |
| First Person Singular | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 13 | 13-16 |
| The ballet “Pas de Quatre”: Four Ballerinas in the Romantic Period in France | Hilit Zilzerman & Shelly Bickels | Hebrew | Mahol Akhshav-Dance Today | 13 | 17-22 |
| The cultural significance of body talk among dancing girls | Yael (Yali) Nativ | Hebrew | Mahol Akhshav-Dance Today | 13 | 23-26 |
| The body’s limitations and the power of the soul | Adi Shaal | Hebrew | Mahol Akhshav-Dance Today | 13 | 27-31 |
| The Body is Political | Hadas Ofrat, Gideon Ofrat, Dror Harari, Ori Drumer | Hebrew | Mahol Akhshav-Dance Today | 13 | 32-34 |
| The presenet body and the body’s presence: “Three” by Ohad Naharin | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 13 | 35-39 |
| “Talk to the Body: Perception of the body in Pedro Almodvar’s “Talk to Her | Yonat Rotman | Hebrew | Mahol Akhshav-Dance Today | 13 | 40-43 |
| About the Body: Artist’s Panel with Ronit Ziv, Silvia Duran, Vera Goldman | Ruth Eshel & Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 13 | 44-45 |
| Premieres: January – August 2005 | אורנית מרק | Hebrew | Mahol Akhshav-Dance Today | 13 | 46-52 |
| Tamar Ramle Dance Theatre (TAMAR), 1982-1984 | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 13 | 62-69 |
| Books: ” A Queen without a Palace”- about Mia Arbatova, pioneer of ballet in Israel | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 13 | 70-73 |
| Kuopio dance festival | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 13 | 74-79 |
| Montpellier Dance Festival 2005 | Ora Bafman | Hebrew | Mahol Akhshav-Dance Today | 13 | 80-85 |
| Bourneville Festival: Agusut Bourneville – A choreogapher for all times | Daniela Shapira | Hebrew | Mahol Akhshav-Dance Today | 13 | 86-91 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 13 | 53-61 |
| Theater and dance – a meeting point | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 8 | 4-9 |
| Respect to words | Gal Alster | Hebrew | Mahol Akhshav-Dance Today | 8 | 10-11 |
| She feels no need to arrive – with and about Oshra Elkayam-Ronen | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 8 | 12-17 |
| Hope out of the Void – Song of My People | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 8 | 20-23 |
| Folk dances are poems | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 8 | 24-25 |
| Choreograph or Director – Find the Difference | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 8 | 26-28 |
| Vala – in memory of Valentina Archipova Grossman, pioneer of ballet in Israel | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 8 | 30-31 |
| Movment cannot cheat and lie – impressions and problems of a ballet teacher in Israel in Haifa – mid 1950s | Archipova Valentina Grosman | Hebrew | Mahol Akhshav-Dance Today | 8 | 68-71 |
| Dance and Holocaust: Remembrances, Images and Words – “Aid Memoire” by Rami Be’er | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 8 | 36-39 |
| The Stuttgart Ballet celebrates 40 years to Cranko era | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 8 | 40-41 |
| Sportive dance – Ballroom dancing in Israel | Maya Bahir | Hebrew | Mahol Akhshav-Dance Today | 8 | 42-43 |
| Itzik Galili: The chaos we turn life into | Lucia van Hetern | Hebrew | Mahol Akhshav-Dance Today | 8 | 44-47 |
| News | | Hebrew | | | 49-53 |
| The Cannes festival | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 8 | 54-57 |
| The spring festival in India | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 8 | 58-61 |
| Books: Homage to Sara Levi-Tanai | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 8 | 62 |
| Books: 9 Portraits of avant-garde European choreographers | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 8 | 63 |
| The language of dance | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 8 | 64 |
| Premieres | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 8 | 65 |
| Bathing in Light | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 9 | 2-5 |
| The Secret Weapon – About Stage Lighting | Judy Kuperman | Hebrew | Mahol Akhshav-Dance Today | 9 | 6-10 |
| Light design for dance – between plasic design and space design | Ben Zion Munitz | Hebrew | Mahol Akhshav-Dance Today | 9 | 18-23 |
| The dance is a light reflecting body – an article by Kibbutz’s dance company light designer | Nisan Gelbard | Hebrew | Mahol Akhshav-Dance Today | 9 | 24-25 |
| All the Options within One Totality – An Interview with Rami Be’er | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 9 | 52-54 |
| Stage make-up for dance | Gaby Bar | Hebrew | Mahol Akhshav-Dance Today | 9 | 28-31 |
| News | | Hebrew | | | 32-35 |
| The Mia Arbatova ballet competition | Israel Roy Ebenstein | Hebrew | Mahol Akhshav-Dance Today | 9 | 36-37 |
| ספרים: הבלרינה הרוסית נטליה בסמרטנובה | יוסי תבור | Hebrew | | | 64-65 |
| חדשות | גיורא מנור, רות אשל, שי הרלב | Hebrew | | | 68-71 |
| Curtain Up and Down | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 1 | 4-5 |
| Equal and Royal – 50 Years of the New York City Ballet | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 1 | 6-11 |
| Between Abstraction and Expression – The Choreography of Rami Be’er | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 1 | 12-17 |
| Dance in Life and in Education | Nurit Ron | Hebrew | Mahol Akhshav-Dance Today | 1 | 18-19 |
| To do Something with Nature – Rina Schenfeld Celebrates 40 Years of Dancing | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 1 | 24-28 |
| Why Turnout? A Theoretical Investigation Concerning the Nature of Turn Out in Western Theatrical Dancing | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 1 | 29-31 |
| חדשות | רות אשל | Hebrew | | | 32-35 |
| Let people dance and they will – Naomi Bahat talks with Martha Inbar about “Barefoot”- A new book on Jewish-Yemenite tradition in Israel dance | Martha Inbar | Hebrew | Mahol Akhshav-Dance Today | 1 | 38-39 |
| Mia Arbatova Competition | Yael Efrati | Hebrew | Mahol Akhshav-Dance Today | 1 | 40 |
| Israel Festival 2000 | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 1 | 40-42 |
| This is not a Swan it is a Duck – Matthew Boerne at the Royal Ballet | Yonat Rothman | Hebrew | Mahol Akhshav-Dance Today | 1 | 43 |
| Hips Swirls like a Mobile in Kibbutz Ein-Hashofet: Celebrating in the Valley and in the Mountain in Eretz Israel | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 1 | 72-75 |
| Cannes Dance Festival: Forsythe Off Key | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 1 | 49-51 |
| Montpellier: the Transparent, the Real, and the Virtual | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 1 | 52-55 |
| Montpelleir: The End of Philosophy | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 1 | 56 |
| Groningen: Dutch festival and choreographers competition | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 1 | 57-61 |
| Chronosmile” Israeli Choreographer Amir Kolben Seeks Time” | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 1 | 62-63 |
| Having a good time in Gomorrah – Ido Tadmor and his company | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 1 | 64 |
| Classical Ballet – Israel Dance’s Stepson | Ruth Eshel | English | Mahol Akhshav-Dance Today | 2 | 86-93 |
| Tantztheater and the Theater of the Absurd | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 2 | 8-13 |
| Mechanized Puppets and Virtual Spaces – The Effects of Technical Changes on Dance from “Coppelia” to Virtual Reality | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 2 | 14-17 |
| A Creator of Three Homelands – On Anna Sokolow 1912-2000 | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 2 | 18-21 |
| Anna Sokolow – Dancers evoke Memories from the Lyric Theater | Galia Gat & Moshe Romano | Hebrew | Mahol Akhshav-Dance Today | 2 | 22-23 |
| Dancing to Death – On Romantic Expression in the Ballet Giselle | Talia Perlstein | Hebrew | Mahol Akhshav-Dance Today | 2 | 23-29 |
| The Turnout in Contemporary Ballet – From the 19th Century to the 21st | Liora Bing Heidecker | Hebrew | Mahol Akhshav-Dance Today | 2 | 30-33 |
| Progressing Inward – A Conversation with Ido Tadmo | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 2 | 34-37 |
| On ” At the End of the Road” – A Computerized Oratorial Dance | Ziona Peled | Hebrew | Mahol Akhshav-Dance Today | 2 | 38-41 |
| Paris: Between Bobigny and the Opera – The International Dance Competition | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 2 | 42-43 |
| Impressions about the New World Dance Festival in London | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 2 | 44-47 |
| Folklore for Stage and Stage for Folklore | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 2 | 48-55 |
| Dancing with Gertrud Kraus | Lea Ben-Zvi | Hebrew | Mahol Akhshav-Dance Today | 2 | 60-61 |
| Dance from the Land or Theater – On Medea | Gal Alster | Hebrew | Mahol Akhshav-Dance Today | 2 | 68 |
| Critict’s Opinions: Non-erotic Aesthetics – On “Miniator Dream” by Blanca Li Company | Meira Eliash-Chain | Hebrew | Mahol Akhshav-Dance Today | 2 | 69 |
| Dance Replacing Ritual – On Ze’eva Cohen and Zvi Gotheiner’s Dance Performances | Judith Brin Ingber | Hebrew | Mahol Akhshav-Dance Today | 2 | 70-71 |
| Premieres: April – June 2000 | | Hebrew | Mahol Akhshav-Dance Today | 2 | 72-73 |
| Bat-Dor Dance Company: Facing the Future with Hope and Apprehension | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 2 | 74-75 |
| On the Bat-Dor Dance School | Ido Tadmor | Hebrew | Mahol Akhshav-Dance Today | 2 | 76-77 |
| Bat-Dor Company’s Repertoire List 1968-1999 | | Hebrew | Mahol Akhshav-Dance Today | 2 | 78-81 |
| Dance for Everyone – On Multi-culturality in Israel and its Influence on the Development of Dance | Dan Ronen | English | Mahol Akhshav-Dance Today | 3 | 85-88 |
| Debka and its Metamorphoses – Affinities between Arab Debka Dancing and Jewish Dance in Israel | Ayala Goren Kadman | Hebrew | Mahol Akhshav-Dance Today | 3 | 10-15 |
| Classical Ballet as Ethnic Dance | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 3 | 16-17 |
| Double Dance – Folk and Ethnic Dancing in Israel | Dina Roginsky | Hebrew | Mahol Akhshav-Dance Today | 3 | 18-23 |
| On “Morena Amora” – Neta Shizaf and Alina Pichersky Performance of Flamencao and Belly Dancing | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 3 | 24-29 |
| Eskesta Dance Theater – Artistic Dance Inspired by Ethiopian Folklore | Gila Toledano | Hebrew | Mahol Akhshav-Dance Today | 3 | 30-34 |
| “All Too Human Puppets – On the Fusion of Arts in “Petrushka | Talia Perlstein | Hebrew | Mahol Akhshav-Dance Today | 3 | 35-42 |
| Ground Breaking Dance – Selected Works by Lea Anderson | | Hebrew | Mahol Akhshav-Dance Today | 3 | 43-47 |
| Cinema Infused with Dance – A Conversation with Alson Murray | Martha Inbar | Hebrew | Mahol Akhshav-Dance Today | 3 | 48-50 |
| Tiny Body, Tiny Body on the Wall – The Montpellier Festival Dance | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 3 | 53-55 |
| Dancing at the Fair – The Third Dance Fair in Essen, Germany | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 3 | 56-57 |
| Drama Enwrapped in Form – The Martha Graham School Website | Smadar Weiss | Hebrew | Mahol Akhshav-Dance Today | 3 | 58-60 |
| Ballet in Ashdod – About Panov Ballet | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 3 | 61-63 |
| On Sasha Walz Dance | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 3 | 64-67 |
| Technology as a Choreography Tool – On Virtuality and its Representations in Random Dance Company | Linda Dankworth | Hebrew | Mahol Akhshav-Dance Today | 3 | 72-74 |
| Books: “Dance Export” by Naima Prevots | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 3 | 78-79 |
| “Critic’s Opinion: Not Quite Kosher Beasts – About Ido Tadmor’s, Emanuel Gat and Shlomi Bitton “Beast | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 3 | 80-81 |
| The Legend of Rivka – On the Demise of Rivka Shturman | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 4 | 4-5 |
| Invisible Unless in Final Pain – About Ohad Naharin | Gaby Aldor | English | Mahol Akhshav-Dance Today | 4 | 94-100 |
| Breaking the Sereotype – Gender in dance | Sharon Halevi | Hebrew | Mahol Akhshav-Dance Today | 4 | 12-21 |
| “Fokine’s Third Sex – Modern Reading in “le spectre de la rose | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 4 | 27-31 |
| Changing Roles, Whot are We? What is our Role?- Gender in Israeli Dance | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 4 | 32-38 |
| Man Reaps and Woman Gathers the Harvest – Euality of the Sexes in Israeli Folk Dancing | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 4 | 39-45 |
| Still Walking Barefoot – About Yardena Cohen | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 4 | 46-49 |
| La La La, the “Human Krachtz”- An Interview with Anat Danieli | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 4 | 50-55 |
| Yasmin Vardimon: London is Waiting for Her | Maya Bahir | Hebrew | Mahol Akhshav-Dance Today | 4 | 56-60 |
| McGregor’s World – Dance Students Meet the Random Company | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 4 | 61-63 |
| On the Body that Remembers (but doesn’t Forgive) – Points of Notes in the Development of Movement Therapy | Dita Federman | Hebrew | Mahol Akhshav-Dance Today | 4 | 64-67 |
| News | | Hebrew | Mahol Akhshav-Dance Today | 4 | 68-72 |
| Critic’s Opinions: Curtain Up 2000 | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 4 | 74-77 |
| Critic’s Opinion: “I used to go…” – A multi-field Appearance in the Setting of the Israeli Theatronetto Festival | Ziona Peled | Hebrew | Mahol Akhshav-Dance Today | 4 | 78-79 |
| New Books | | Hebrew | Mahol Akhshav-Dance Today | 4 | 84 |
| Books Review: “Empire of Ecstasy” by Karl Teopfer | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 4 | 85 |
| Dance In August: On the International Dance Festival in Berlin | Rachel Bilski Cohen | Hebrew | Mahol Akhshav-Dance Today | 4 | 86-88 |
| The Silk Route – The Biennale for Dance, Lyon 2000 | Ora Brafman | Hebrew | Mahol Akhshav-Dance Today | 4 | 89-93 |
| Dancing at the Beginning of the Agriculture | Yossef Garfinkel | Hebrew | Mahol Akhshav-Dance Today | 5 | 86-91 |
| Dancing Know – How – What is it? What is it for? – Dancing’s Status as an Art Equivalent | Milca Leon | Hebrew | Mahol Akhshav-Dance Today | 5 | 10-15 |
| Ballet is not a Shrine – About Audrey de Vos | Dina Shmueli Hinkins | Hebrew | Mahol Akhshav-Dance Today | 5 | 16-17 |
| Kinesiology – From Anatomy to Dance | Shely Bickels | Hebrew | Mahol Akhshav-Dance Today | 5 | 18-21 |
| The spine is a chain of pearls – the use of movement and imagery amongst children in studying the human body | Ronit Feingold | Hebrew | Mahol Akhshav-Dance Today | 5 | 22-26 |
| What is the Theater of Movements? -A definition of the Concept Movement-theater | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 5 | 27-33 |
| Internal and external spaces – an improvisation workshop with Emanuel Grive | Einav Rosenblit | Hebrew | Mahol Akhshav-Dance Today | 5 | 34-36 |
| Groupe harmony and energy – a workshop with Kay Takei | Yonat Rotman | Hebrew | Mahol Akhshav-Dance Today | 5 | 37 |
| Like in a dancers’ sect – a dance workshop at the Matte Asher community center – Ga’aton school | Ruth Eshel | Hebrew | Mahol Akhshav-Dance Today | 5 | 38-41 |
| Yearning for Israel – Karmon in dance | Dan Ronen | Hebrew | Mahol Akhshav-Dance Today | 5 | 44-48 |
| The dancing mask – Yehudit Greenspan creative work | Giora Manor | Hebrew | Mahol Akhshav-Dance Today | 5 | 49-51 |
| The Visual and the Literal – The Noa Dar Ensemble | Shai Harlev | Hebrew | Mahol Akhshav-Dance Today | 5 | 52-55 |
| From the Caucasian Mountains to Israel – The Matayev Ensemble | Ayala Goren Kadman | Hebrew | Mahol Akhshav-Dance Today | 5 | 56-59 |
| “Towards a premiere – Mathew Bourne’s “Carmen | Henia Rottenberg | Hebrew | Mahol Akhshav-Dance Today | 5 | 60-61 |
| New Book: Body Stories | Ronit Land | Hebrew | Mahol Akhshav-Dance Today | 5 | 69 |
| A new dance trend in European dance | Linda Dankworth | Hebrew | Mahol Akhshav-Dance Today | 5 | 70-71 |
| The Dance of the Disorderly: Jacek Lumminski and the Slaski Tear Talca Dance Theater | Joanna Lesnierovskya | Hebrew | Mahol Akhshav-Dance Today | 5 | 72-75 |
| ביקורות: שש יצירות ושבעה כוריאוגרפים בגוונים במחול, מארס 2001 | | | Mahol Akhshav-Dance Today | 5 | |
| Ohad Naharin’s Virus | Gaby Aldor | Hebrew | Mahol Akhshav-Dance Today | 5 | 78-79 |
| The Fire of Passion, for the Sake of Romance – The Flamenco Festival at the Suzanne Dellal Center for Dance and Theater | Smeon Lapin | Hebrew | Mahol Akhshav-Dance Today | 5 | 82-83 |
| Institutalization and Centralization: Dance in Israel 1964-1977 | Ruth Eshel | English | Mahol Akhshav-Dance Today | 6 | 86-92 |
| “מזורקה פוגו” (Masurca Fogo) / תיאטרון מחול וופרטל/ ביקורת מחול מאת רות אשל | | | | | |
| פוגה/ Fugue/ כוראוגרפיה: ענבל פינטו/ מרכז סוזן דלל 3.5.2018 | | | | | |
| אסילום/Asylum/ כוראוגרפיה: רמי באר/ היכל אמנויות הבמה הרצליה 27.6.2018 | | | | | |
| Carmen Nova/ שרון אייל וגיא בכר/הבלט הישראלי/ בית האופרה, תל אביב-יפו 16.5.2018 | | | | | |
| “תחת מצור”- תיאטרון המחול יאנג ליפינג / כוראוגרפיה ובימוי: יאנג ליפינג / האופרה הישראלית תל-אביב / 26.4.2018 | | | | | |
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| Dance Today 7 | | | | | |
| Dance Today 6 | | | | | |
| Mahol Akhshav-Dance Today 5 | | | | | |
| Mahol Akhshav-Dance Today 4 | | | | | |
| Mahol Akhshav-Dance Today 3 | | | | | |
| Mahol Akhshav-Dance Today 2 | | | | | |
| Mahol Akhshav-Dance Today 1 | | | | | |
| Issue no. 13 | | | | | |
| Issue no. 12 | | | | | |
| Issue no. 5 | | | | | |
| Issue no. 11 | | | | | |
| Issue no. 4 | | | | | |
| Issue no.10 | | | | | |
| Issue no. 9 | | | | | |
| Issue no. 3 | | | | | |
| Issue no. 8 | | | | | |
| Issue no. 2 | | | | | |
| Issue no. 1 | | | | | |
| Issue no. 7 | | | | | |
| Issue no. 6 | | | | | |
| Issue no. 5 | | | | | |
| Issue no.4 | | | | | |
| Issue no. 3 | | | | | |
| Issue no. 2 | | | | | |
| Issue no. 1 | | | | | |
| Dance Annual 1989 | | | | | |
| Dance Annual 1987 | | | | | |
| Dance Annual 1986 | | | | | |
| Dance Annual 1985 | | | | | |
| Dance Annual 1984 | | | | | |
| Dance Annual 1983 | | | | | |
| Dance Annual 1982 | | | | | |
| Dance Annual 1981 | | | | | |
| Dance Annual 1980 | | | | | |
| Dance Annual 1978 | | | | | |
| Dance Annual 1977 | | | | | |
| Dance Annual 1976 | | | | | |
| Dance Annual 1975 | | | | | |